The Rasputin File

February 28, 2000
Ever since the brutal murder of Grigory Rasputin on the eve of the Russian Revolution, morbid fascination has assured the semiliterate peasant a legacy in infamy. Now, armed with a newly discovered trove of testimonies from Rasputin's inner circle of devotees, Radzinsky (The Last Tsar) promises to "solve" the mystery of Rasputin's death. A veteran writer of Russian history, Radzinsky writes as if a historian must also be a sleuth and a psychiatrist. It's no wonder, then, that his book, which has the makings of a genuine expos , goes more than a little off the rails. His latest effort is a muddle of conjecture that reads like a made-for-television docudrama. It is true that the evidentiary file--compiled by a revolutionary commission in 1917 and bought at auction in 1995 by the famous cellist Mistoslav Rostropovich--contains new and often sensational material. However, a transcription of the titillating details of Rasputin's sexual escapades coupled with "who's who" captions for previously printed photographs cannot be equated with, in the author's words, "a unique investigation." More inadequate is Radzinsky's claim to have solved a great mystery when he declares that Rasputin was felled (but not killed) by a bullet from Assassin B (the Grand Duke) and not from Assassin A (a collaborator), as has so long been thought. Even if it is true, one wonders how relevant such a theory is in light of the more miraculous fact that Rasputin died from drowning--after his poisoned, bludgeoned and bullet-ridden body was dumped in the Neva River. Lovers of history and pulp fiction alike should rejoice that this account fails to crack the enigma of Rasputin.

With his fluid baritone, Edoardo Ballerini gives a splendid reading of this work by Russian playwright Radzinsky. Adding to his previous works on Stalin, Czars Alexander II and Nicholas II, and an earlier work on Rasputin, Radzinsky uses information from a report of the Provisional Government of 1917 to portray the life of the mystic Rasputin in great depth. We see his daily life as well as a detailed account of his murder. Ballerini gives this translation an expressive, sometimes spritely, reading. He executes the narrative and the quotations in the same voice and is adroit with foreign languages, including Russian, though he sometimes gives names a somewhat British rather than purely Russian pronunciation. This production is a satisfying listening experience for those who love history. M.T.F. � AudioFile 2017, Portland, Maine