A Free Man

Starred review from June 25, 2012
Sethi, an award-winning journalist for The Hindu, delivers a moving and irrepressible work of narrative reporting that captures the lives—and voices—of the homeless laborers in the Bara Tooti Chowk in Old Delhi. The chowk is literally a labor market where every alleyway, lane, and dead end has a story. Sethi focuses on a homeless middle-aged house painter and construction worker, Mohammed Ashraf, who finds jobs by waiting in the early morning on Bari Tooti’s main road. Before coming to Bari Tooti, Ashraf was a biology student, then a butcher, a tailor, and an electrician’s apprentice. He once had a wife, a home, and two children, whom he hasn’t seen in decades. Ashraf’s life story unfolds through a series of vignettes as the author accompanies him and others to various haunts: Kaka’s tea, the Old Delhi Railway Station, a secret illegal bar everyone knows made of “interlocking sheets” of cardboard and plywood, and the TB wards of the city hospital. Delhi is a frenzied city “splintering under the strain of fundamental urban reconfiguration,” where 800,000 slum dwellers, including Ashraf, were violently displaced when their settlement was bulldozed. Ashraf’s voice—acerbic, bombastic, and philosophical—makes for wonderful reading, and Sethi’s remarkable prose and impeccable sense of timing renders his subjects with pathos and humor. Agent: David Godwin, David Godwin Associates.

This look at the lives of workers in Delhi, the capital of the world's largest democracy, is journalism at its finest. Narrator Vikas Adam tells the story of these men as though they were characters in a novel. Adam brings the dialogue to the listener with the cadence and liveliness of authentic speech. He uses a heavy, affected South Asian accent to render the English speech of the masdoor, or building laborers. But the listener is given a break from this style in the narrative, which is delivered with a much lighter touch. In this contemporary story of migration, economics, and socialization, these invisible workers come alive. M.R. (c) AudioFile 2013, Portland, Maine