
Lost New York
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- اطلاعات
- نقد و بررسی
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نقد و بررسی

December 12, 2011
In her latest, journalist and historian Reiss (New York Now and Then) leads us through New York’s vanished architectural heritage. From the first Metropolitan Museum of Art, engulfed by additions in 1895, to SoHo’s Moondance Diner, trucked to Wyoming in 2007, the book’s catalogue of disappeared landmarks evokes an alternate reality in which elaborate gothic mansions, elevated train tracks, floating bathhouses, first generation skyscrapers, and copious pleasure gardens dotted the city’s grid. Pithy, though sometimes elliptical, summaries of genesis and destruction accompany astounding black-and-white photographs of New York’s illustrious past, including the opulent interiors of Vanderbilt mansions and Coney Island’s generations of pleasure-seekers. The cumulative effect of these images is less a sense of loss than the recognition of the fluidity of fortune. Monuments to the robber barons and extinct newspapers of yesterday are demolished or transformed into the hospitals, hotels, office buildings, and apartment complexes of tomorrow. Reiss shows that change is not itself a bad thing, though some “improvements”—like the dismantling of the old Penn Station in 1966 for the monolithic Madison Square Garden—display the shortsightedness that can afflict any era. Although the book could use a general introduction and conclusion to frame the entries, the pictures alone are worth the price of admission.

February 1, 2012
Reiss, who has published seven books on the city's history and architecture (e.g., New York Then and Now), accurately depicts and valuably describes in two-page spreads 75 of the most memorable buildings of old Manhattan, mostly dating from the Civil War to World War II (with a few Coney Island landmarks thrown in). The book is beautifully illustrated in aged black-and-white photos and burnished with charming prose based on many years of research. This book is briefer than the three comparable volumes of Robert A.M. Stern's four-volume series (New York 1880, New York 1900, New York 1930) and offers an alternative view to Barbaralee Diamonstein-Spielvogel's The Landmarks of New York, which just appeared in its fifth edition; the latter volume covers surviving buildings, whereas Reiss's title recollects demolished buildings, including Pennsylvania Station, New York's greatest architectural loss. VERDICT A good choice for enthusiasts of northeastern or urban architecture and for fond collectors of public memories.--Peter Kaufman, formerly with Boston Architectural Coll.
Copyright 2012 Library Journal, LLC Used with permission.
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