Pistol

January 1, 2007
As he did for another larger-than-life sports star whose achievements in his game were always shadowed by his demons outside of it, Kriegel (Namath
) offers a rounded, insightful look at one of basketball's enigmatic icons. Kriegel presents Pete Maravich (1947–1988) as a "child prodigy, prodigal son, his father's ransom in a Faustian bargain." His father, Press Maravich, was the poor son of Serbian immigrants to Pennsylvania, a man obsessed with basketball as a means of personal and financial redemption. His rise as a coach loomed over Pete, who described himself as a boy as "a basketball android." A veteran sportswriter, Kriegel is more than up to the task of eliciting Pete's on-court greatness and describing basketball action in a fluid, dramatic fashion (Pete's deadeye shot earned him the nickname "Pistol"). But the book is more notable for how Kriegel evokes Press's support turning into suffocation, and the effect of the impossible expectations on Pete (he played for Louisiana State, then later for the New Orleans Jazz). In the end, Kriegel's portrait is a sad celebration of a gifted player whose collegiate legend never quite blossomed into professional greatness as he battled alcoholism, sought solace in religion and left a troubled legacy that's still felt by his children and those who knew him.