The Patch

June 15, 2018

This seventh collection of essays from the masterly McPhee, stitching together works not previously published in book form, is divided into two parts. "The Sporting Scene" takes us fly casting in New Hampshire and golfing at St. Andrews, while "An Album Quilt" offers reminiscences that range from visiting a Hershey chocolate factory to chatting with Oscar Hammerstein and Joan Baez. Condensed to find the passages of greatest interest to contemporary readers and serving as a quasimemoir.

Copyright 2018 Library Journal, LLC Used with permission.

Starred review from September 3, 2018
The latest collection from McPhee (Draft No. 4), a New Yorker staff writer, provides a bountiful cornucopia of insightful essays that display the wide range of his interests and tastes. The title essay begins as a characteristically detailed and observant account of fishing for chain pickerel in a New Hampshire lake before becoming a poignant reminiscence of communicating with his stroke-debilitated father via their shared fondness for fishing. In the other selections grouped under the heading “The Sporting Scene,” McPhee riffs on his interest in professional golf, college lacrosse, and even bear sighting at his home in New Jersey. The bulk of the book is composed of “An Album Quilt,” a patchwork miscellany of excerpts from never-before-collected, and in some cases unpublished, pieces—each of which could have become a full essay or book on its own—that hopscotches from a visit to the gold-stacked vaults of the Federal Reserve Bank of New York to an aromatic traipse across the floor of a Hershey chocolate factory. McPhee delights in cracking open subjects, both ordinary and esoteric, and making them accessible to the layperson in works that testify to his virtuosity as one of the greatest living American essayists.

September 1, 2018
A mix of new and old work from New Yorker staff writer McPhee (Draft No. 4: On the Writing Process, 2017, etc.), assembled curiously but with his trademark eye for detail.Fittingly for a writer obsessive about the nuance of words, the title has multiple meanings. In an essay anchoring the first section, the "patch" refers to a patch of lily pads good for fishing for chain pickerel and, less overtly, to his final efforts to bond with his dying father. The second section, "An Album Quilt," is deliberately patchwork, collecting excerpts from articles previously unavailable in book form. Many date back to his stint at Time magazine in the 1950s and '60s, when he produced celebrity profiles. Pieces about glitterati like Cary Grant, Richard Burton, and Sophia Loren seem peculiar coming from a writer now more associated with oranges, plate tectonics, and lacrosse, but his approach hasn't wavered: He delivers the goods in a dry (but not humorless) deadpan, trusting in the details of his research to produce the kind of surprise and irony that lesser writers turn to verbal acrobatics to achieve. The best detail in the Loren profile comes not from the actress or her associates but from her infant wet nurse; a brief profile of Joan Baez distills her rebellious attitude into the tart two-word quote that ends it. Still, to put it in golf terms McPhee might appreciate, his long game was always much stronger than his short game. He isn't built for "Talk of the Town"-style observational pieces about MENSA meetings or Peter Sellers' knack for accents. He's built for long-form pieces like "The Orange Trapper," in which his obsession with collecting lost golf balls becomes a deep dive into the wilderness and a kind of proxy study of the American class ladder.A sturdy collection of top-shelf McPhee, with a grab bag of curiosities for fans.

COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.