Ezra Pound And The Troubadour Tradition

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The world of the troubadours of medieval Provence--of Bertran de Born, Arnaut de Mareuil, and Peire Bremon lo Tort--always fascinated Ezra Pound and, as Stuart McDougal shows, provided both themes and techniques for his early poetry.

Pound's first translations of Proven�al poetry were a way of penetrating an alien sensibility and culture and making it his own; they were also important technical exercises. Confronted with the problem of finding a suitable form and language for the Provencal experience, he condensed, deleted, expanded--the results were highly original works.

Among Pound's early experiments were the studies of individual Provencal poets, each representing one of the qualities of Proven�al culture that attracted him--Bertran is the man of action and Vidal is an example of the close connection between man and the vital universe.

Implicit in Pound's treatment of the past is his belief in the contemporaneity of these medieval values. This belief remains constant in The Cantos, although as the work developed it became clear that no single cultural framework could encompass it. Nevertheless, the medieval world remained the cornerstone of Pound's paradise--a brilliantly unified, vibrant world against which he could contrast the chaos and sterility of contemporary civilization.

Originally published in 1973.

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گزارش تخلف

مغایرت عنوان کتاب با توضیحات و تصویر جلد
عدم رعایت حقوق نشر طبق قوانین جمهوری اسلامی ایران
محتوای مستهجن
توهین به قومیتها و محتوای نژادپرستی
توهین به اقیلیتهای مذهبی
اهانت به مقامات سیاسی و مذهبی
اشاعه ی کودک آزاری
سایر موارد

بستن

فرمت کتاب

ebook

زبان

english

تاریخ انتشار

1973

نویسنده

Stuart Y. McDougal

ناشر

Princeton University Press

شابک

0691062366

20,000 تومان

خرید کتاب مطالعه نمونه درخواست ترجمه کتاب

خرید کتاب Ezra Pound And The Troubadour Tradition

Ezra Pound And The Troubadour Tradition

گزارش تخلف

فرمت کتاب

ebook

زبان

english

تاریخ انتشار

1973

نویسنده

ناشر

شابک

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