Chaos Imagined

October 26, 2015
Lay readers may find the style of this ambitious multidisciplinary work overly academic, but those who patiently soldier through the dense prose are likely to find the journey worthwhile. Meisel, a theater professor at Columbia University, brilliantly integrates two distinct areas of study: recent scientific conclusions about the limits of human knowledge and whether there is an order to the universe, and how artists, poets, philosophers, and writers “have attempted to give shape to the imagination of chaos.” An opening section on the history of science is particularly effective, explaining how even fields assumed to be firmly grounded in provable ideas, such as mathematics, are not; Meisel makes palpable the “sometimes poignant expressions of unease among scientists and mathematicians” about the “sustainability of the claims of science to objectivity and precision.” He then takes readers on a fascinating survey of humanity’s questioning
of “whether we live in a universe of laws,”
in which he includes Sophocles’s Oedipus Rex, Shakespeare’s King Lear, and the artwork of Pablo Picasso. The text is enhanced by reproductions of works by Alberto Giacometti, J.M.W. Turner, and Francisco Goya, among others that offer different perspectives on whether the illumination provided by human knowledge will disclose the secrets of the universe or merely emphasize the surrounding darkness.