
The Soloist
A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music
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- نقد و بررسی
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نقد و بررسی

William Hughes's easy conversational style captures the heart of this memoir of the friendship between L.A. TIMES columnist Steve Lopez and homeless musician Nathaniel Ayers. Lopez discovers Ayers on Skid Row, not far from the city's Beethoven statue, playing a two-string violin. Ayers was once a musical prodigy who played bass at Juilliard until schizophrenia loosened his grip on reality and a promising career. What begins as a good idea for a column becomes a transforming friendship for both men. Hughes hits no wrong notes in his narration. He is especially impressive in rendering emotions that run the gamut from wonder and awe at the power of music to Ayers's random profane outbursts when paranoia kicks in. A.B. (c) AudioFile 2008, Portland, Maine

Starred review from February 18, 2008
Scurrying back to his office one day, Lopez, a columnist for the L.A. Times
, is stopped short by the ethereal strains of a violin. Searching for the sound, he spots a homeless man coaxing those beautiful sounds from a battered two-string violin. When the man finishes, Lopez compliments him briefly and rushes off to write about his newfound subject, Nathaniel Ayers, the homeless violinist. Over the next few days, Lopez discovers that Nathaniel was once a promising classical bass student at Juilliard, but that various pressures—including being one of a few African-American students and mounting schizophrenia—caused him to drop out. Enlisting the help of doctors, mental health professionals and professional musicians, Lopez attempts to help Nathaniel move off Skid Row, regain his dignity, develop his musical talent and free himself of the demons induced by the schizophrenia (at one point, Lopez arranges to have Ayers take cello lessons with a cellist from the L.A. Symphony). Throughout, Lopez endures disappointments and setbacks with Nathaniel's case, questions his own motives for helping his friend and acknowledges that Nathaniel has taught him about courage and humanity. With self-effacing humor, fast-paced yet elegant prose and unsparing honesty, Lopez tells an inspiring story of heartbreak and hope.
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