Although of Course You End Up Becoming Yourself

Starred review from April 12, 2010
In early 1996, journalist and author Lipsky (Absolutely American) joined then-34-year-old David Foster Wallace on the last leg of his tour for Infinite Jest (Wallace's breakout novel) for a Rolling Stone interview that would never be published. Here, he presents the transcript of that interview, a rollicking dialogue that Lipsky sets up with a few brief but revealing essays, one of which touches upon Wallace's 2008 suicide and the reaction of those close to him (including his sister and his good friend Jonathan Franzen). Over the course of their five day road trip, Wallace discusses everything from teaching to his stay in a mental hospital to television to modern poetry to love and, of course, writing. Ironically, given Wallace's repeated concern that Lipsky would end up with an incomplete or misleading portrait, the format produces the kind of tangible, immediate, honest sense of its subject that a formal biography might labor for. Even as they capture a very earthbound encounter, full of common road-trip detours, Wallace's voice and insight have an eerie impact not entirely related to his tragic death; as Lipsky notes, Wallace "was such a natural writer he could talk in prose." Among the repetitions, ellipses, and fumbling that make Wallace's patter so compellingly real are observations as elegant and insightful as his essays. Prescient, funny, earnest, and honest, this lost conversation is far from an opportunistic piece of literary ephemera, but a candid and fascinating glimpse into a uniquely brilliant and very troubled writer.

March 1, 2010
My Dinner with Andre in a rental car—Rolling Stone contributing editor Lipsky (Absolutely American: Four Years at West Point, 2003, etc.) turns in a splintered portrait of the late, great novelist.

In 1996, the author got the call to drive into the Illinois countryside to find David Foster Wallace (1962–2008) and wrestle a profile of the then-budding cult hero of literature."I'm thirty years old, he's thirty-four," writes Lipsky."We both have long hair." They are (were) also both voracious consumers of culture, from the novels of John Updike (Wallace hates him, Lipsky doesn't) and Stephen King (vice versa) to Saturday-morning cartoons, Steven Spielberg's films and the latest sonic complaints of Alanis Morissette (Wallace loves her, Lipsky not so much) and the bleatings of Sheryl Crow (says Wallace,"made me want to vomit, from the very beginning"). The two set off on a whirlwind, almost-missed-the-plane tour of the ice-encrusted Upper Midwest, a matter of foggy windows, slick roads and Wallace's constant spitting of tobacco juice into various fetid containers. Eventually they wound up at a reading in Minnesota that, if nothing else, illustrates how soul-wearying such things are to writers, especially with the inevitable first question from the audience:"Where do you get your ideas from?" In Wallace's case, the answer is refracted across pages devoted to his wrestlings with depression and mental illness, punctuated by reminiscences of visits to mental hospitals and electroshock treatments. At other times he appears happier, if sometimes mystified by the business of fame and the strange workings of the publishing business—but very much on top of the dollars and cents and at the top of his game as a writer. Lipsky does good work in keeping up with Wallace, but in the end his book is a staccato ramble made tiresome by his mania for pointing out, endlessly, Wallace's Midwestern pronunciations and with one too many digressions on Lipsky's own life.

Still, a nicely gossipy inside view of a writer's world and a beautiful yet anguished mind.

(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

April 15, 2010
When David Foster Wallace went on tour to promote his staggering hit/work of genius "Infinite Jest", reporter Lipsky followed. The resulting several day-long interview was supposed to be for a "Rolling Stone" article that never materialized. Fortunately, a year and a half after Wallace took his own life, Lipsky has published a transcript of the interview in its entirety. The resulting book gives us a glimpse into the mind of one of the great literary masters of the end of the 20th century; a man who had achieved international fame and felt deeply ambivalent about it. But what shines through even more is his deep passion for writing and ideas and his kind, gentle nature. VERDICT Anyone looking to read the musings of a larger-than-life literary figure will be disappointed; instead we get a portrait of a slightly troubled Midwestern man who happened to have a tremendous gift. Many fans of Wallace's writing come to think of him as a friendby the time they have finished Lipsky's moving book, they will undoubtedly feel that even more strongly. Highly recommended.Ned Resnikoff, "Library Journal"

Copyright 2010 Library Journal, LLC Used with permission.

April 15, 2010
On assignment for Rolling Stone, Lipsky hung out with David Foster Wallace and his two dogs in Wallaces Illinois home, then accompanied the newly minted celebrity writer on a Midwest stretch of his 1996 book tour for his meganovel Infinite Jest. Lipskys article was canceled, and now, in the wake of Wallaces 2008 suicide, Lipskys recordings of five days worth of the writers brainy and passionate riffing on the nature of mind, the purpose of literature, and the pitfalls of both academia and entertainment are incredibly poignant. Lipsky (Absolutely American, 2003) vividly and incisively sets the before-and-after scenes for this revelatory oral history, in which Wallace is at once candid and cautious, funny and flinty, spellbinding and erudite as he articulates remarkably complex insights into depression, fiction that captures the cognitive texture of our time, and fames double edge. Wild about movies, prescient about the impact of the Internet, and happiest writing, Wallace is radiantly present in this intimate portrait, a generous and refined work that will sustain Wallaces masterful and innovative books long into the future.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)