The Opposite of Fate

January 5, 2004
In her first collection of essays, Tan explains that she writes stories to understand "how things happen." These musings, as wide-ranging as a graduation speech at Simmons College and a childhood contest entry, offer insight into how her family history has shaped the questions she chooses to ask. Tan herself reads the essays, which suits the intimate, self-congratulatory tone of the collection. Several of the pieces focus on Tan's tragedies—her father and brother died from brain tumors, her mother suffered violent bouts of depression and her best friend was murdered—but her successes also receive a fair amount of space. One can almost hear the pride in Tan's voice as she talks of her associations with other famous writers, how her name has been used as a question on Jeopardy
and how The Joy Luck Club
appears alongside "Bill" (Shakespeare) and "Jim" (Conrad) in Cliff's Notes
, a fact that Tan uses to launch into a tirade about current perceptions of multicultural and Asian-American literature. The essays work best when Tan is telling a story, as when she relays her battle with Lyme disease or describes her mother's final days. Still, there's no denying that Tan has every right to be proud, having led a peripatetic and extraordinary life. Simultaneous release with the Putnam hardcover (Forecasts, Sept. 15).

September 15, 2003
Tan's bestselling works of fiction are, in part, based on her own family history, and this robust book, her first nonfiction effort, explains much about where those stories came from and how they influenced her. The collection of "casual pieces" (previously published in such diverse venues as Harper's Bazaar, Ski Magazine, the New Yorker, Salon.com and even PW) covers Tan's childhood in California and Switzerland; her writing career; her relationships with her mother and her late editor, Faith Sale; and, most significantly, the role of fate in her life. Raised with "two pillars of beliefs" (Christian faith on her father's side; Chinese fate on her mother's), Tan finds luck—both good and bad—in all corners of her life. Ultimately, however, she knows "a higher power knows the next move and... we are at the mercy of that force." As she reflects on how things have happened in her 50-odd years, Tan's writing varies from poetic to prosaic. In an excerpt from a journal she kept during a 1990 trip to China, she eloquently describes Shanghai's streets: "Gray pants and white shirts are suspended from long bamboo poles that overhang the street. The laundry flaps in the wind like proletarian banners." But reading about Tan's adventures with her rock band, the Rock Bottom Remainders, feels a bit like reading someone else's high school yearbook's inside jokes, as she reminisces about truck-stop breakfasts and late-night sing-alongs. Still, this is a powerful collection that should enthrall readers of The Joy Luck Club and Tan's other novels. B&w photos. Agent, Sandy Dijkstra.

July 1, 2003
In her first work of nonfiction, Tan shows how she bridges the past (her family firmly believes in fate) and present (she's learned how to shape her own fate).

Copyright 2003 Library Journal, LLC Used with permission.

September 15, 2003
Tan's readers are well versed in the basic elements of her mother's difficult life and demanding personality because her mother and her tragic family history have inspired a great deal of Tan's spellbinding fiction. Now in her first nonfiction book, Tan steps out from behind the veil of imaginative writing and presents a collection of arresting autobiographical essays that elicit a rich spectrum of responses from astonishment to shock, laughter, sympathy, and admiration. Tan tells the incredibly poignant tale of her parents' unlikely marriage, the stark anguish of losing both her father and brother within a year, and her restless mother's peripatetic ways, which caused Tan and her brothers to change schools innumerable times until they landed in Switzerland, where Tan netted the classic bad-boy boyfriend. Questions of memory, intuition, language, inheritance, and storytelling preoccupy Tan as she traces the serpentine path that led her to become a novelist, and recounts her mother's struggle with depression and Alzheimer's. Tan is mischievously hilarious in her reports on the writing life, and intensely moving in the most mysterious and haunting of her musings, her remembrances of the murder of her closest friend and the strange, prescient visions that preceded and followed this tragedy. No matter how much readers already revere Tan, their appreciation for her will grow tenfold after experiencing these provocative and unforgettable revelations.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)