Everybody Was So Young
Gerald and Sara Murphy: A Lost Generation Love Story
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
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نقد و بررسی
January 1, 1999
Often considered minor Lost Generation celebrities, the Murphys were in fact much more than legendary party givers. Vaill's compelling biography unveils their role in the European avant-garde movement of the 1920s; Gerald was a serious modernist painter. But Vaill also shows how their genius for friendship and for transforming daily life into art attracted the most creative minds of the time: Picasso, Hemingway, and Fitzgerald. (LJ 3/15/98)
Starred review from April 15, 1998
Every study of the Lost Generation includes profiles of Gerald and Sara Murphy, the king and queen of now legendary gatherings in Paris and on the Riviera, but Vaill is the first to render them fully dimensional. In a double biography laced with unforgettable anecdotes, she elucidates their commitment to each other and to art, their generosity, complexity, and sorrows. Sara was a high-society beauty who remained under her mother's thumb well into her twenties. Gerald was five years younger than she, artistic, and a bit of a misfit, and Vaill's account of their unlikely courtship and mutually liberating marriage is every bit as compelling as her coverage of their ardent and involved friendships with F. Scott Fitzgerald, who immortalized them in "Tender is the Night," Ernest Hemingway, Archibald MacLeish, Dorothy Parker, and Picasso. Sara transformed everyday life into art, and Gerald would have achieved greatness with his paintings had he continued to work, but sadly both were brought low by family tragedy. Vaill's discerning portrait restores dignity, meaning, and luster to our impressions of two talented and original individuals who have for too long been reduced to mere glitter. ((Reviewed April 15, 1998))(Reprinted with permission of Booklist, copyright 1998, American Library Association.)
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