It's What I Do
A Photographer's Life of Love and War
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
Author Lynsey Addario uses her camera to capture images of beauty and light as well as despair, horror, and every other human emotion under the sun. Narrator Tavia Gilbert does the same with her voice, giving an authentic and thoughtful performance of this audiobook. As Addario recounts her experience of being held hostage, along with three reporters, by troops loyal to President Gaddafi in Libya, Gilbert brings the appropriate heart-pumping fear to the listener. It's terrifying. It's also a profoundly different experience for Addario--the men are beaten, but she is stroked and groped while being threatened with death. Addario's story is fascinating as she tells of her unusual upbringing, early struggle to get assignments, raw emotion at being embedded in a dangerous culture, and abundant love for her husband and small child. Gilbert delivers it all in a thoroughly satisfying listening experience. A.B. Winner of AudioFile Earphones Award © AudioFile 2015, Portland, Maine
November 17, 2014
Addario, a photojournalist, documentary photographer, MacArthur Genius Grant recipient, and part of a Pulitzer Prize–winning team for work on a magazine story about the Taliban, presents a highly readable and thoroughly engaging memoir of her experiences around world, documenting and filing photographs in hostile areas for some of the U.S.’s most well-known publications including the New York Times, National Geographic, Time magazine. She touches on aspects of her childhood and upbringing in Connecticut, but focuses mainly on her professional career and development as a photojournalist in the post-9/11 world. She describes her experiences in Afghanistan, India, Iraq, Pakistan, Sudan, and elsewhere—including being kidnapped
three weeks into the Libyan uprising of 2011. Addario astutely addresses the difficulties of being a woman in a “brutally competitive,” overwhelmingly male profession. She also articulates the passion that compels her and others to continue this difficult and dangerous work, while shedding light on the logistics, risks, and other considerations involved in documenting world events for newspapers and magazines. Addario’s memoir brilliantly succeeds not only as a personal and professional narrative but also as an illuminating homage to photojournalism’s role in documenting suffering and injustice, and its potential to influence public opinion and official policy. Photos.
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