Girl in a Band

January 12, 2015
In this intriguing memoir, Sonic Youth founding member Kim Gordon describes a life in art and music that led her through the undergrounds of Los Angeles and New York City, a journey framed by the dissolution of her 27-year marriage to bandmate Thurston Moore. Raised in L.A. by academic parents, Gordon surfed the last waves of ’60s counterculture into art school and the seedy, dynamic New York City of the late-1970s. An article she wrote for Real Life magazine titled “Trash Drugs and Male Bonding” led her to play guitar in a performance art piece; soon afterward she met Moore, five years younger than the 27-year-old Gordon but already a working musician. Gordon writes, “I joined a band, so I could be in that male dynamic, not staring through a closed window.... That essay unlocked the next thirty years of my life.“ The strength of Gordon’s prose lies in her evocation of places—the dappled light of L.A. canyons, the clamor and steaming heat of Hong Kong, the N.Y.C. loft scene. The descent of her older brother, Keller, into schizophrenia shadows the first half of the book; Moore’s adultery the second. Although Gordon includes expected list of celebrities she met throughout life, her unique sensibility never fades.

February 1, 2015

For 30 years, Kim Gordon was a Girl in a Band: Sonic Youth, the seminal alternative rock, postpunk New York group she formed in 1981 with her then-boyfriend, later husband, Thurston Moore. Until the band--and their marriage--broke up in 2011, the author sang and played bass, made art, and raised a daughter. Gordon's life story, as she tells it here, may not have been nonstop bohemian glamour, but with her deadpan and often very funny running narrative, she doesn't make it sound too shabby either. The book is more panoramic than reflective: while the performer's thoughts on various projects, artistic decisions, balancing motherhood with touring, and the ever-present male gaze are provocative, her strength lies in telling a solid art-world yarn. There's also something of an elegiac tone throughout: for the author's marriage and her band, for a period in art and music that was ripe with possibilities--and perhaps especially for a vanished Manhattan. VERDICT Gordon's career as a musician, artist, critic, performer, producer, and designer spanned the last truly hip era of downtown New York. The names and the nostalgia--for those who remember or who wish they did--are well worth the price of admission.--Lisa Peet, Library Journal

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