Dead Wake

January 5, 2015
With a narrative as smooth as the titular passenger liner, Larson (In the Garden of Beasts) delivers a riveting account of one of the most tragic events of WWI. The fact a German U-boat sank the Lusitania off the coast of Ireland in May 1915 is undisputed, so Larson crafts the story as historical suspense by weaving information about the war and the development of submarine technology with an interesting cast of characters. He expertly builds tension up to the final encounter. An unanticipated sequence of events put the Lusitania in the path of Capt. Walther Schwieger’s U-20, and he didn’t hesitate to open fire. The Lusitania’s captain, the capable and accomplished William Thomas Turner, did everything in his power to avert the catastrophe, but fate intervened, taking the lives of 1,195 passengers and crew members, including 123 Americans. Despite the stunning loss of life, President Woodrow Wilson held firm to American neutrality in the war, at least in 1915. Larson convincingly constructs his case for what happened and why, and by the end, we care about the individual passengers we’ve come to know—a blunt reminder that war is, at its most basic, a matter of life and death. Illus. Agent: David Black, David Black Literary Agency.

October 1, 2014

Having racked up four national best sellers (e.g., In the Garden of Beasts) that together have sold more than 5.5 million copies, Larson looks to be on the verge of another blockbuster. His subject? The sinking of the Lusitania, which left New York for Liverpool in May 1915 even as Germany declared British waters to be a war zone. Larson describes the unfolding tragedy while providing, tellingly, the larger American context. Lots of centenary tie-ins; with a ten-city tour.

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Starred review from January 1, 2015
The sinking of the British ocean liner Lusitania in 1915 is one of a trio (including the iceberg-wounded Titanic in 1912 and the Italian liner Andrea Doria, which collided with another liner on the high seas in 1956) of the most dramatic and most remembered maritime disasters of the twentieth century. With the narrative skills shown so effectively in his The Devil in the White City (2003), a lively account of Chicago's 1893 World's Fair, Larson reconstructs the last and fatal voyage of what was widely considered the most beautiful ship of the day, the giant four-stacker Lusitania. Reader engrossment is tightly sustained as we move back and forth between the Lusitania on its return from New York City to its home port of Liverpool under a black cloud of warnings that the imperial German government considered the waters around Britain to be a war zone, and the rapacious German submarine U-20, stalking the seas for prey like a lion on the Serengeti. Factual and personal to a high degree, the narrative reads like a grade-A thriller. HIGH-DEMAND BACKSTORY: The popularity of Larson's previous books guarantees public-library demand for his latest.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)