Words without Music

Words without Music
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A Memoir

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2015

نویسنده

Lloyd James

شابک

9781481529129
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Philip Glass, the renowned composer of contemporary classical music as well as film scores, shares a mostly chronological audio memoir. Narrator Lloyd James provides a workmanlike performance--unemotional, clear, and even paced. Both the book and James's narration are graceful but lacking in drama. The narrative offers vignettes of the self-confident Glass as a child, followed by stories of his first part-time jobs, both emphasizing his early cultural mentors. But overall, there's little depth given to the circumstances and people Glass has encountered in his life experience. James's tenor voice is calm and engaging, and he clearly enunciates his words. Nonetheless, this work may be best enjoyed by those especially interested in Glass and his music. W.A.G. © AudioFile 2015, Portland, Maine

Publisher's Weekly

March 9, 2015
In this episodic narrative of intellectual and artistic development, famed American composer Glass describes his involvement in the avant-garde music and art scenes in New York in the 1950s through the 1980s, as well as learning harmony and counterpoint in Paris from the brilliant composer and conductor Nadia Boulanger in the 1960s. He recounts touring the Indian subcontinent in search of a guru and eventually winning fame for repetitive compositions like Einstein on the Beach and Koyaanisqatsi, which delighted some listeners and enraged others. (When an annoyed audience member came up and started banging on the piano keys, Glass recalls, “I belted him across the jaw and he staggered and fell off the stage.”) At its core, Glass’s story is about work—he worked as a mover, a plumber, and a taxi driver to keep his family fed during his decades of obscurity, and since then he has immersed himself in the craft of composing. Glass is raptly alive to the aesthetic epiphanies, philosophy, spirituality, and magnetic personalities he has encountered, yet his prose is conversational and free of pretense. The result is a lively, absorbing read that makes Glass’s rarefied cultural sphere wonderfully accessible.




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