Moscow Nights

Starred review from July 25, 2016
Cliff brilliantly weaves together the politics, personalities, and pianism surrounding the first International Tchaikovsky Competition in Moscow in 1958. This portrait of a Cold War moment focuses on two remarkable people. The first is Van Cliburn, the courtly, eager 23-year-old from Kilgore, Tex., who combined a winning American openness with a heartfelt love of Russian music. The second is Nikita Khrushchev, an eccentric peasants’ son who survived Stalin and went on to undo the worst of his oppressions. Riding high on the success of Sputnik and Soviet nuclear advances, Khrushchev saw the proposed music competition as a way to assert the U.S.S.R.’s cultural preeminence. The program was heavily weighted to Russian music, and many potential competitors felt that a foreigner would not be allowed to win. But Cliburn’s mother and teachers had instilled in him a love of Russian repertoire that Moscow audiences grasped from round one. Khrushchev railed against Stalin’s cult of personality but did not stand in the way of Cliburn’s. This is a well-researched, fascinating look at a special relationship between Van Cliburn and the U.S.S.R. that lasted through low points (the downed U-2, the Cuban missile crisis) and high ones, all the way up to the 1987 summit that resulted in eliminating most of the world’s strategic nuclear arsenal. Agent: Henry Dunow, Dunow, Carlson & Lerner Literary.

Starred review from July 15, 2016
The glorious career of the Texan pianist who captured Russian hearts during the Cold War era.When he was 3 years old, Van Cliburn (1934-2013) told his mother, a piano teacher, that he wanted lessons; at 4, he gave his first concert, at a local college; at 5, he declared he was going to be a concert pianist, like Rachmaninoff. Cliburn exceeded that dream: in 1958, at 23, he won first prize in Russia's first International Tchaikovsky Piano Competition, a feat that catapulted him to rock-star celebrity. Beloved by Russians, Khrushchev included, and by his own countrymen, Cliburn seemed a balm to Cold War hostilities. Biographer, translator, and journalist Cliff (The Last Crusade: The Epic Voyages of Vasco Da Gama, 2012, etc.), former film and theater critic for the London Times, faces two challenges in his rousing, well-researched biography: the first, ably met, is to convey Cliburn's astonishing talent and sound; he was "ecstatically lyrical, thrillingly Romantic, and symphonic in scale." The second challenge, not as fully achieved, is to create an intimate portrait of a man who rebuffed probing questions and carefully honed stories he--and his ever hovering mother-- told interviewers and biographers. He was the shy, God-fearing, gangly boy from Texas, warm, effusive, and modest. "When fans told him he had changed their lives, he was genuinely amazed," writes Cliff. "When public figures extolled him as a hero, he all but scoffed." But if he did not believe his own legend, still that legend became his public image: "His friends adored him, protected him, smiled at his foibles, and spoke of him with a warm glow--but few felt they really knew him." Cliff reveals Cliburn's interest in astrology and the occult; the scandal that resulted when his male companion sued for palimony and lost; and his nine-year retirement, a response to the pressures of fame. Throughout, the author vividly reprises major historical events: Sputnik, Khrushchev's blustering speeches, the Berlin Wall, Maoist oppression, and Nixon's visit to China. Sweeping history combines with a sensitive rendering of Cliburn's extraordinary passion.

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Starred review from August 1, 2016

This book examines one of the most iconic moments of the Cold War: Van Cliburn's (born Harvey Lavan "Van" Cliburn Jr.) 1958 victory in the piano contest at the first International Tchaikovsky Competition in Moscow. Historian and critic Cliff (The Shakespeare Riots) combines biography and history, telling the story of the small-town Texas boy and his improbable triumph, as well as the larger history of Soviet-American relations. Cliburn's career intersected in an unusual way with events in the Soviet Union, and he had a warm relationship with many Russians, including Nikita Khrushchev. Cliburn played for U.S. Presidents John F. Kennedy, Lyndon B. Johnson, and Richard Nixon, often at official state functions, and by request for Soviet leader Mikhail Gorbachev and his wife, Raisa, during the 1987 Ronald Reagan-Gorbachev summit. Some writing on Cliburn (such as Howard Reich's The Van Cliburn Story) tend toward hagiography, but Cliff presents a sympathetic yet rounded portrait of the pianist--devout Baptist, devotee of astrology, conservative yet gay, a builder of international goodwill but often politically naive. Cliff's sources include many Russian-language materials. VERDICT Highly recommended for readers interested in music (especially classical music and the piano) and the history of the Cold War.--Bruce R. Schueneman, Texas A&M Univ. Lib., Kingsville

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