Waiting for Snow in Havana

David Drummond's effusive performance captures the decadent lifestyles of the upper crust in pre-revolution Cuba and the events surrounding Castro's takeover, which changed their lives forever. The winner of the National Book Award, Carlos Eire's memoir charts his childhood in an affluent household, the revolution, and his move to the United States, where he was forced to start his life from scratch. With varied tone and pacing, Drummond captures the essence of an active and mischievous child who evolves into a wiser young man. Drummond's narration vividly evokes the colorful hues and dynamic voices of Cubans before, during, and after the revolution. S.E.G. (c) AudioFile 2012, Portland, Maine

Starred review from December 23, 2002
"Metaphors matter to me, especially perfect ones," Yale historian Eire writes in this beautifully fashioned memoir, as he recounts one of many wonderfully vibrant stories from his boyhood in 1950s Havana. As imaginatively wrought as the finest piece of fiction, the book abounds with magical interpretations of ordinary boyhood events—playing in a friend's backyard is like a perilous journey through the jungle; setting off firecrackers becomes a lyrical, cosmic opera; a child's birthday party turns into a phantasmagoria of American pop cultural icons. Taking his cue from his father, a man with "a very fertile, nearly inexhaustible imagination, totally dedicated to inventing past lives," Eire looks beyond the literal to see the mythological themes inherent in the epic struggle for identity that each of our lives represents.Into this fantastic idyll comes Castro—"Beelzebub, Herod, and the Seven-Headed Beast of the Apocalypse rolled into one"—overthrowing the Batista regime at the very end of 1958 and sweeping away everything that the author holds dear. A world that had been bursting with complicated, colorful meaning is replaced with the monotony of Castro's rhetoric and terrorizing "reform." Symbols of Jesus that had once provided spiritual enlightenment by popping up in the author's premonitions and dreams were now literally being demolished and destroyed by a government that has outlawed religion. The final cataclysm comes when Eire and his brother, still young boys, are shipped off to the United States to seek safety and a better life (another paradise, perhaps). They never see their father again.As painful as Eire's journey has been, his ability to see tragedy and suffering as a constant source of redemption is what makes this book so powerful. Where his father believed that we live many lives in different bodies, Eire sees his own life as a series of deaths within the same body. "Dying can be beautiful," he writes, "And waking up is even more beautiful. Even when the world has changed." Taking his cue from his beloved Jesus, the author believes that we repeatedly die for our sins and are reborn into a new awareness of paradise. How fortunate for readers, then, that by way of Eire's "confessions," they too will be able to renew their souls through his transcendent words. BOMC, QPB alternates. (Feb. 5)Forecast:The Free Press has high hopes for this exceptional memoir. With the right review, aided by the author's seven-city tour, it should sell extremely well.