Salinger

Starred review from September 23, 2013
The culmination of over 200 interviews and almost a decade of research, Shields (How Literature Saved My Life) and Salerno, director of the documentary accompanying the book, offer an oral history, effectively blended with narrative and analysis of the iconic writer and his body of work. In lesser hands, this approach could quickly spiral out of control, but Shields and Salerno keep the story on track. Granted, many mileposts and loreâsuch as Salinger's predilection for young girls or Catcher in the Rye's influence on high-profile assassinationsâwill not be all that revelatory but the authors' impressive collection of first-person accounts by those who were there gives readers greater insight into the writer and his place in the world. Literary snippets, such as "I'm Crazy," a short story Salinger wrote in Europe that was the first story narrated by Holden Caulfield, and asidesâ"Jesus, he has a helluva talent," Hemingway is reported to have said of Salingerâcombined with a number of photos will make this a must-read for fans of the celebrated author. Photos.

Starred review from October 1, 2013
Overstuffed, thoroughly revealing biography--from oral and written sources, and always episodic--of the legendary writer. The big news in Shields (How Literature Saved My Life, 2013, etc.) and Salerno's book, the companion to Salerno's documentary, has been the promise of several new books, completed and approved by Salinger, that will be issued between 2015 and 2020. One is a World War II story, and therein hangs another tale--and a long part of the present volume. Other biographers have noted how strong a part Salinger's wartime experience played in his subsequent thought, but Shields and Salerno chase down the story in minute detail, including Salinger's witness to the liberation of Nazi death camps and the psychological breakdown that ensued: "You never really get the smell of burning flesh out of your nose entirely, no matter how long you live." As he went into combat at Normandy, we learn, Salinger carried six chapters of Catcher in the Rye--"not only as an amulet to help him survive," Shields notes, "but as a reason to survive." Catcher, Salinger's most famous book, was of course autobiographical, and Shields and Salerno lend specific weight to just how and how much. They also link Salinger's famous hermitage, beginning in the 1950s, not necessarily to a desire to flee fame so much as a fulfillment of the Vedanta ideals he had adopted as another kind of sanity-preserving talisman, in which withdrawal from and eventual renunciation of the world is necessary. No question but that Salinger was troubled--and, as the testimonial of former paramour Joyce Maynard and others has it, capable of cruel and creepy behavior. About the only drawback of Shields and Salerno's book is their overly credulous reliance on other writers and their heavy-handedness in piling on the heaps of negativity (some deserved) about Maynard and her ambitions. Was Salinger the major artist he has been held up to be? This book helps defend the affirmative response and whets the appetite for the Salinger books to come.

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