Magical Thinking

July 12, 2004
A psychological term, "magical thinking" describes the belief that one exerts more influence over events than one actually does. Burroughs, who spent childhood days stepping on cracks to see if his mother's back would break, possesses a wealth of magical thought. Like Dry
and Running with Scissors
, this collection showcases Burroughs's sharp, funny and sometimes brilliant writing. Burroughs views his life through a lens of self-deprecation, and the result is pieces like "My Last First Date," describing the first time he met his current boyfriend. After only a short conversation, he fumbles into joking about his life, to the horror of his date, and realizes, "I must ease people into the facts of me, not deposit large, undigested chunks of my history at their feet. Too much of me is toxic." Fortunately, his companion has a high threshold for toxicity, and most readers will, too. Burroughs's smooth prose, peppered with charming and awkward moments, is occasionally reminiscent of David Sedaris and David Rakoff. But he's no imitator of those essayists. Rather, Burroughs ambles toward insight in a continual state of self-examination and just happens to have peculiar adventures along the way, like drowning a mouse in his bathtub, attending the Barbizon School of Modeling and complaining that the "new gay thing in Manhattan" is adopting babies instead of buying shar-pei puppies. Agent, Christopher Schelling. (On sale Oct. 5)

Forecast:
St. Martin's is making a big push for Burroughs's third book: a 17-city tour and national broadcast, print and radio publicity, which should result in another bestseller.

October 4, 2004
It would be tempting to call these highly personal and uninhibited essays painfully honest, except that Burroughs (Running with Scissors; Dry
) is so forthright about his egocentricity that the revelations don't appear to cause him much pain. He approaches his material with a blithe tone that oozes sarcasm and crocodile tears. But the palpable humor of the writing itself endears listeners to him enough that they won't be completely repelled by even Burroughs's ugliest moments (which include his less than gallant reaction to accidentally stepping on a toddler's fingers in a store). His performance is off the cuff, but even when he's at his least humane, he still comes across as all too human. He adopts the same openness that made his previous memoirs—dealing with his bizarre upbringing and battle with addiction—so successful; now, however, he's focusing on less serious subject matter and displaying failings that are more vain. Burroughs excels in his personifications of others, whether portraying a domineering cleaning woman or an overbearing boss. While some may secretly wish for the death of such a boss, though, Burroughs admits openly and proudly that he believes he can will it to happen. That attitude, which is accentuated by his reading, makes this audiobook a true guilty pleasure. Simultaneous release with the St. Martin's hardcover (Forecasts, July 12).