The Making of African America
The Four Great Migrations
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November 16, 2009
Berlin (Many Thousands Gone
) offers a fresh reading of American history through the prism of the “great migrations that made and remade African and African American life.” The first was “the forcible deportation” of Africans to North America” in the 17th and 18th centuries, followed by their “forced transfer” into the American interior during the 19th century. Then came the migration of the mid-20th century as African-Americans fled the South for the urban North, and the arrival of continental Africans and people of African descent from the Caribbean during the latter part of the 20th century. Berlin sees migration and the reshaping of communities to their new environments as central to the African-American experience. Movement is a matter of numbers, and Berlin provides them in detail kept fully readable by his attention to the cultural products of the shifts. In particular, he follows the church as it moves, the music as it takes on new themes, and kinship as it broadens. Berlin's careful scholarship is evidenced in his rich notes; the ordinary reader will be pleased by the fluidity and clarity of his prose.
November 1, 2009
A succinct study of how the migrations of African Americans, from the slavery era to the present, affected the development of black culture in America.
Berlin (History/Univ. of Maryland; Generations of Captivity: A History of African-American Slaves, 2003, etc.) analyzes what he calls the four great migrations: the transatlantic slave trade from Africa; the transcontinental slave trade within the United States; the movement of former slaves from the South to the North and West after the Civil War; and the wave of black immigration from the Caribbean, Africa, South America and elsewhere. He makes the case that all this movement—the cycle of being uprooted again and again—is what distinguishes the African-American experience from those of other immigrant American cultures. The repeated migrations, he argues, helped solidify the creation of African-American culture. The bond between people, created by common experience, became as important as the bond to specific places. Along with migration, Berlin also discusses the importance of rootedness in African-American life. For example, after blacks became a key part of urban society, the stability of staying in one place allowed distinct aspects of modern American black culture to emerge—including arts such as gospel and jazz and political movements such as black nationalism. In the most engaging section, the author addresses the massive post-1965 influx of black immigrants and how they and American blacks have adjusted to each others' ways. The differences in language, and prejudices on both sides, have often made that adjustment difficult. Despite the culture clash, however, black immigrants have also made crucial contributions to African-American culture. For example, Berlin notes, many early hip-hop artists were of Caribbean descent.
An insightful meditation on the physical and cultural journeys of African-Americans in the United States.
(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
Starred review from January 15, 2010
The act of moving has added dimension to African American life, argues Berlin (history, Univ. of Maryland; "Generations of Captivity"). The experience began with the more than ten million shipped from Africa in the transatlantic slave trade. It continued with passage from Atlantic coastal communities to what became the Deep South. Next came the so-called Great Migration from South to North, which included movement from countryside to city. And now a global passage, explains Berlin, is reshaping a firmly entrenched urban African American population, with an influx of blacks from the Caribbean and Africa since the late 1960s. Migrations continue to remake black life, as they continue to remake American life; they create new histories and new realities, Berlin suggests. Others, notably historian Colin A. Palmer, have pursued similar themes of black passages but not so comprehensively in the broad sweep of place and space. VERDICT Berlin's neat synthesis offers the sharp insights and provocative commentary of one of the foremost historians of black America. Essential for library collections, general readers, and scholars of African American history. [See Prepub Alert, "LJ" 9/15/09.]Thomas J. Davis, Arizona State Univ., Tempe
Copyright 2010 Library Journal, LLC Used with permission.
January 1, 2010
Slavery, migration, and, more recently, immigration all constitute the making of African Americans, a history older and far more complex than that of most other Americans. Historian Berlin explores the four great migrations that have produced the distinct culture of African Americans: the transatlantic slave trade; the migration of African slaves from the Atlantic coast inland to southern plantations; the great migration from the rural South to the urban North, particularly during World War II; and the latest movement in the diaspora, the immigration to the U.S. of people of African descent from Africa, the Caribbean, and Europe. Berlin analyzes the movements, the dynamics of changes in customs and mores, as well as the sense of place developed by African Americans as they adjusted to each migration, voluntary and involuntary. He explores the changes in culture, music, politics, social institutions, and economics that defined each movement and redefined African Americans. Berlin also explores the latest migration, tensions, and feelings of kinship between native-born African Americans and newcomers, and the ultimate impact on perceptions of what it means to be black in America.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)
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