Pandora's DNA

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Tracing the Breast Cancer Genes Through History, Science, and One Family Tree

ردیابی ژن سرطان سینه از طریق تاریخ، علم و درخت یک خانواده

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2014

نویسنده

Lizzie Stark

شابک

9781613748633
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
اگر فکر می‌کردید که ممکن است زندگی شما را نجات دهد، سینه و ovaries را می‌برید؟ این یک سوال نظری برای بستگان خبرنگار "لیزی استریکز" نیست، کسی که با میراث وحشتناک سرطان ساخته‌شده در DNA خانواده دست و پنجه نرم می‌کند. این یک جهش در BRCA است که بیشتر خویشاوندان زن او را از سینه، تخمدان، آرامش ذهنی و یا خود زندگی محروم کرده‌است. در DNA Pandora's، استارک از تجربه خانواده خود برای ساختن یک داستان بزرگ‌تر در مورد ژن‌های به اصطلاح سرطان سینه استفاده می‌کند، و توده عجیب و غریب مسائل قانونی، پیشرفت‌های علمی، پیشرفت‌های پزشکی، و نگرانی‌های اخلاقی که جهش‌های BRCA را احاطه کرده‌اند را کاوش می‌کند. او در مورد تاریخچه آزار دهنده عمل جراحی پیشگیرانه و ریشه‌های پنهان این شغل صحبت می‌کند و طرح دعوی تاریخی علیه ژنتیک میریاد را شرح می‌دهد، که بر روی ژن‌های BRCA که هر انسانی در بدن خود حمل می‌کند تا زمانی که دادگاه عالی آن‌ها را در سال ۲۰۱۳ سرنگون کرد، حق امتیاز ثبت کرده‌است. اگر چه یک تست ژنتیکی برای خطر سرطان ممکن است مانند اوج پیشرفت علمی به نظر برسد، اما این درمان خام و وحشیانه باقی می‌ماند. از طریق تجربه خودش، استارک نشان می‌دهد که زندگی کردن در یک دنیای جدید و شجاع چگونه است، جایی که نگاه کردن به یک گوی بلورین ژنتیک عواقب ناخواسته بسیاری دارد.

نقد و بررسی

Publisher's Weekly

Starred review from August 25, 2014
Stark (Leaving Mundania) unveils her family’s arduous cancer history with her own heartbreaking discovery of and treatment for a gene mutation that put her squarely on her stricken relatives’ frightening path. Cancer haunts Stark’s maternal lineage; she, her mother, and her aunt share “a certain mutation on our BRCA1 gene.” The “feeling that life is guaranteed only until the date of your mother’s first cancer diagnosis has infected other relatives as well,” she notes, including a great-aunt and two cousins. Their diagnoses, treatments, and outcomes fuel Stark’s engrossing exploration of the science of breast cancer, from the discovery of the BRCA1 gene in the mid-’90s to the legal fight over the diagnosis of a BRCA1 mutation. Moreover, Stark’s relatives dealt with breast cancer in the 1940s and 1950s when “social norms made it even harder” to talk about the disease. “Though none of us would know cancer, we would know the curse of fear,” she writes. For Stark, this also entailed a prophylactic mastectomy in her late 20s and the likely removal of her ovaries in coming years. With her remarkable memoir, Stark gives us medical history and personal testament that intelligently balances hard-edged science with boundless hope. Agent: Dystel & Goderich Literary Management.



Kirkus

Starred review from September 15, 2014
Freelance journalist and author Stark (Leaving Mundania: Inside the Transformative World of Live Action Role-Playing Games, 2012) has both fully researched her subject and poured out her heart in this blend of history, science and memoir. As the family tree in the book's front shows, cancer, and the threat of cancer, has plagued the author's family for generations. When she underwent genetic testing and learned that she had inherited her mother's BRCA1 mutation, which greatly raises the risks of both breast and ovarian cancers, Stark was well-aware of its significance. After coping with the hassles of close monitoring, she made the tough decision to have a preventative double mastectomy while still in her 20s. The story of that decision and all that follows from it is enough to make a book in itself, but the author goes much further. She provides a capsule history of breast surgery, from the pre-anesthesia days through William Halsted's now-outdated radical mastectomy to today's less disfiguring procedures, and she profiles geneticist Mary-Claire King, whose work led to the identification of the BRCA genes. In her discussion of the controversial issue of gene patenting, Stark presents all sides of the argument. Most impressive, she tells her personal story with considerable frankness and flashes of humor. The weekend before her breast-removal surgery, she and her husband threw a "goodbye to boobs" party for their closest friends. That lighthearted moment is followed by less sunny ones as Stark was forced to adjust to her new body and face the questions of whether to bear children and possibly pass on the gene mutation and deciding when to have her threatened ovaries removed. The book is a must-read for women questioning whether to be tested for the BRCA mutations and for women considering their options after testing positive. A gutsy, deeply revealing account that more than fulfills the promise of the subtitle.

COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.



Library Journal

Starred review from September 1, 2014

Author/journalist Stark's cancer family tree would send most people running for cover and a huge hole into which to crawl. We're talking great-grandparents, grandparents, aunts, and cousins. Her mother has had several types of cancer and recurrences. Stark presents a fascinating history of cancer, especially breast and ovarian, with her relatives as a frame of reference. Once genomic testing became available, it made the picture simultaneously clearer and more ominous. What's a gal to do? VERDICT With incisive wit and a reporter's poke at the jugular, Stark delivers the goods on this disease that though now much discussed still creates anguish in most of us. For every collection.

Copyright 2014 Library Journal, LLC Used with permission.



Booklist

October 1, 2014
Because Stark carries the BRCA gene mutation that greatly increases the risk of breast cancer, she decided to get a prophylactic mastectomy and implants. A journalist, she expertly weaves her own story into a thorough history of breasts and breast cancer. She talks about famous sufferers (Hitler's mom and First Lady Betty Ford), size (between the Middle Ages and the Renaissance, the ideal breasts were small, white, and wide apart), mammography (ironically, its radiation may increase the risk of cancer), reconstruction, and injectable fillers (paraffin in the late 1800s and loose silicone in the 1960s). Stark is eccentric but never dull. She planned a good-bye to boobs party, then chooses to increase her bust line, which she seems to regret: I might have been young, once, before this ordeal, but now I feel old, trapped forever in a body with a youthful chest, the rest of me doomed to wilt and fade. Stark writes stylishly and entertainingly about an all-too common experience and in-the-news topic.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)




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