Travels in Vermeer

January 26, 2015
A poet by trade, White (Vermeer in Hell), confronts ideas about love and loss after being awestruck by Vermeer’s Milkmaid in the Rijksmuseum, in Amsterdam. Thus begins a personal quest to visit most of the Vermeer paintings in the world and see how they affect him—or not. In the course of this raw memoir, White travels to The Hague, Washington D.C., New York, and London to study Vermeer’s paintings up close and in detail. His readings of the paintings are insightful and reflect his emotion at experiencing firsthand the capability of Vermeer’s genius. Through his eyes, readers see why The Guitar Player is “disconcerting” but The Music Lesson is “intoxicating.” Between museum visits, White explains how his divorce, the death of his first wife, and his history as a recovering alcoholic inform his ideas about eternity and the focus of love. We follow him along on several dates and see how his personal experience with romance and love influences his vulnerability to art. Although there are no illustrations in the book, White’s extensive descriptions will inspire readers to seek out the paintings to further study Vermeer’s motifs and technique. Through his obsession with Vermeer, White has crafted a powerful and affecting memoir that reminds us how art can be salvation.

December 1, 2014
A memoir exploring how Johannes Vermeer's paintings bestow bountiful gifts.Poet White (Creative Writing/Univ. of North Carolina, Wilmington; Vermeer in Hell, 2014, etc.) was stunned when he first saw Vermeer's The Milkmaid during a visit to the Rijksmuseum in Amsterdam. "Stillness. Not emptiness but stillness," he thought as he gazed at the figure of the milkmaid. "A great soul balanced there." When he discovered that only 35 of the artist's works are on view in the world, he decided to see them all: in The Hague, Washington's National Gallery, New York's Frick Collection and the Metropolitan Museum of Art, and London's Kenwood House, Royal Collection and National Gallery. In this lyrical memoir, the author recounts his travels in search of Vermeer, set in the context of love, loss and pain: a difficult childhood, alcoholism and recovery, the grueling death of his first wife and, most recently, a wrenching divorce. Along the way, he tells of two unpromising dates with women he met online; his love for his young daughter; and his frustration over the custody fight that will limit his seeing her. Vermeer's "radiant canvases" serve as an antidote to his enervating sense of loss: "The rapturous inner life of each woman and the infinitesimally detailed and self-contained life of the street are each imagined as an undiscovered heaven on earth." White's descriptions are sensuous, precise and evocative. He describes one painting as a "dialogue between Vermeer's favorite colors [that] pervades the entire atmosphere of the room." A window "seductively refracts the world rather than revealing it, and in so doing makes it seem new and strange." The figures communicate with one another in "a circular, closed system of glances." White praises Vermeer for his sensitivity to "anatomies of intimate, unguarded moments," a sensitivity that White himself brings to his luminous readings of the paintings. An enchanting book about the transformative power of art.

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