Archie and Amélie

Archie and Amélie
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

Love and Madness in the Gilded Age

عشق و دیوانگی در عصر طلایی

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2006

نویسنده

Donna M. Lucey

ناشر

Crown

شابک

9780307345837
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
Filled with glamour, mystery, and madness, Archie and Amélie is the true story chronicling a tumultuous love affair in the Gilded Age. John Armstrong "Archie" Chanler was an heir to the Astor fortune, an eccentric, dashing, and handsome millionaire. Amélie Rives, Southern belle and the goddaughter of Robert E. Lee, was a daring author, a stunning temptress, and a woman ahead of her time. Archie and Amélie seemed made for each other both were passionate, intense, and driven by emotion but the very things that brought them together would soon tear them apart. Their marriage began with a "secret" wedding that found its way onto the front page of the New York Times, to the dismay of Archie's relatives and Amélie's many gentleman friends. To the world, the couple appeared charmed, rich, and famous; they moved in social circles that included Oscar Wilde, Teddy Roosevelt, and Stanford White. But although their love was undeniable, they tormented each other, and their private life was troubled from the start. They were the F. Scott and Zelda Fitzgerald of their day a celebrated couple too dramatic and unconventional to last but their tumultuous story has largely been forgotten. Now, Donna M. Lucey vividly brings to life these extraordinary lovers and their sweeping, tragic romance. "In the Virginia hunt country just outside of Charlottesville, where I live, the older people still tell stories of a strange couple who died some two generations ago. The stories involve ghosts, the mysterious burning of a church, a murder at a millionaire's house, a sensational lunacy trial, and a beautiful, scantily clad young woman prowling her gardens at night as if she were searching for something or someone or trying to walk off the effects of the morphine that was deranging her. I was inclined to dismiss all of this as tall tales Virginians love to spin out; but when I looked into these yarns I found proof that they were true. . . . " Donna M. Lucey on Archie and Amélie

نقد و بررسی

Publisher's Weekly

May 1, 2006
A great-great-grandson and heir of John Jacob Astor, John Armstrong "Archie" Chanler was born with the proverbial platinum spoon in his mouth but was no stranger to misfortune. His mother died in 1875 when he was just 13, and his father's demise two years later made Archie the de facto head of the family of 10 orphans. An eccentric who, Lucey concludes, probably suffered from bipolar disorder, Archie married the mesmerizing Amélie Rives, goddaughter of Gen. Robert E. Lee and a Virginia novelist whose scandalous heroines made her a literary sensation. Amélie was a master manipulator and morphine addict who refused her besotted husband sex and affection while spending his inheritance to refurbish her family plantation. The couple's divorce after seven years was fodder for the media as were Archie's commitment to a mental institution by siblings alarmed by his free-spending ways, his escape four years later and his lawsuits to prove his sanity and reclaim his fortune. Writer and photo editor Lucey ably chronicles the pomp and excesses of the Gilded Age, but her book bogs down in exhaustively researched details about a parade of glittering Astors and their retinue. 16 pages of b&w photos not seen by PW
.



Library Journal

July 1, 2006
The forgotten story of Astor heir John Armstrong (Archie) Chanler and novelist Amé lie Rives has all the elements of a garish theatrical production, including imprisonment in and escape from an asylum, and a homicide. Within weeks of the couple's 1888 marriage, Amé lie wrote of the -gloom, grief, and terror - she felt with Archie near. That same year, she published her first work: a novel condemned by polite society as -sensual rot - that nonetheless sold 300,000 copies. Archie, yearning to be as famous as his wife, plunged into the business of philanthropy and the creation of a textile empire. His eccentricities became more pronounced as he dealt with his feelings of isolation and rejection, and his family eventually had him committed. Writer and photo editor Lucey skillfully weaves her voluminous research into an artful tale, sympathetic to both figures. She excerpts passages from Amé lie's novels and Archie's unpublished manuscripts to support her analysis of their psyches. Her writing style is informal and colorful; the portrait she paints of the time period, the events, and the people influencing and influenced by Archie and Amé lie is intriguing. Recommended for public libraries, especially those in the Charlottesville, VA, area." -Kathryn R. Bartelt, Univ. of Evansville Libs., IN"

Copyright 2006 Library Journal, LLC Used with permission.



Booklist

Starred review from June 1, 2006
Amelie Rives' racy first novel," The Quick or the Dead, " was published in 1888, making her the toast of two continents. In the same year she married John Jacob Astor's spectacularly wealthy but eccentric great-grandson John Armstrong "Archie" Chanler. The marriage was troubled from the start--in fact, it may never have been consummated. Both parties were highly strung, Amelie was addicted to morphine, and Archie didn't like finding himself in the shadow of his brilliant and beautiful wife (nor would he be pleased to find himself just a footnote in today's standard sources on American writers and American women). But even after their headline-making divorce and Amelie's remarriage to an impoverished Russian prince, he continued to throw money her way. Archie's many siblings viewed this as one symptom of insanity and had him committed to an asylum--from which he managed to escape four years later. This is really Archie's book, and he is portrayed with a measure of sympathy, while Amelie comes across as being selfish and manipulative. Lucey's highly readable and substantially documented chronicle is part Victorian melodrama, part Edith Wharton, and part Tennessee Williams. Add this to the nonfiction-that-reads-like-a-novel shelf. (Reprinted with permission of Booklist, copyright 2006, American Library Association.)




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