Steven Spielberg

April 28, 1997
Whereas John Baxter's identically titled biography of Spielberg (Forecasts, Feb. 24) was based almost entirely on previously published interviews, McBride has interviewed more than 300 of the director's family, friends and co-workers, though not Spielberg himself. The result is a more sympathetic but also lopsided portrait of the man than Baxter's, with too much emphasis on Spielberg's childhood and young manhood. It isn't until nearly the book's halfway point that McBride gets to the making of The Sugarland Express, Spielberg's first feature film. Much of the early material is illuminating, especially the examination of Spielberg's Jewish roots, which he did not publicly acknowledge until Schindler's List, and the portrait of Spielberg as an ambitious, inventive and driven filmmaker even as a boy in Scottsdale, Ariz. But with so much about the young Spielberg, the director's adult career is given short shrift. With less new material to work with--McBride and Baxter use many of the same anecdotes--the second half of the book seems rushed in comparison to its leisurely first. McBride's readings of the individual films, however, are shrewd and unsentimental. The book ends with a persuasive reading of Schindler's List, which McBride sees as a logical outgrowth of Spielberg's career-long artistic preoccupations, rather than, as most critics do, as a break with them. Either the McBride or the Baxter will serve readers as a splendid introduction to the life and work of this fascinating director. The book presents a thorough filmography, including some of Spielberg's amateur films. Photos not seen by PW.

In more pages than are necessary, Joseph McBride reduces the popular filmmaker to Freud 101. Spielberg fans will no doubt relish the gossipy details, whether or not they agree with the biographer's assessment of the man and his work. David Hilder reads appropriately at a brisk trot that skims the surface of prose requiring little else. He has a sharp, clear voice and excellent intonation. Just as McBride gets many incidental facts wrong, so Hilder gets a lot of pronunciations wrong, especially Jewish names and Yiddishisms. Both writer and narrator should be taken cum grano salus. Y.R. (c)AudioFile, Portland, Maine

April 15, 1998
David Hilder reads McBride's unauthorized biography of one of the world's primary director/producers (LJ 4/15/97), and he performs competently, using a level tone for every character and keeping the focus on Spielberg. McBride, well known in the movie industry for such works as Frank Capra: The Catastrophe of Success (S. & S., 1993) and Orson Welles (LJ 6/15/96), details Spielberg's life from his childhood in Cincinnati, examining the artistry as well as the man. McBride includes numerous interviews and minute detail of the artistic development of Spielberg, promoting the image of the director as a serious artist who has been possessed by the idea of filmmaking since childhood. The accounts of filming Jaws and Close Encounters of the Third Kind, with their never-before-attempted special effects, provide fascinating insider information. The sound quality here is excellent. This work will appeal to serious moviegoers who want to know every detail of Spielberg's life and career.--Nancy R. Ives, SUNY at Geneseo