I'll Have What She's Having

May 29, 2017
Journalist Carlson doesn’t definitively prove her thesis—that Nora Ephron’s efforts as a screenwriter and film director saved the rom-com genre from history’s proverbial dustbin—but her debut book is nonetheless an enjoyable and informative romp that will please industry insiders and movie fans alike. Carlson details Ephron’s beginnings as a journalist who used her “fierce wit and nimble social maneuvering” to thrive in the male-dominated film industry. The author then walks the reader through the conception, filming, and release of Ephron’s three major hits: When Harry Met Sally (which Ephron scripted but didn’t direct), Sleepless in Seattle, and You’ve Got Mail. While the book offers little in the way of a larger social context, it includes plenty of power lunches and fan-pleasing trivia about not only Ephron but also two stars she often worked with: Tom Hanks and Meg Ryan, who was “forever struggling to earn the respect Tom came by effortlessly.” Descriptions of the on-again-off-again negotiations to use the Empire State Building as a location in Sleepless add to the fun. Carlson’s breezy Hollywood chronicle also has a serious point to make: that the gender-based barriers Ephron overcame throughout her career remain very much in place in the film industry.

June 1, 2017
A veteran entertainment journalist offers a breezy, detailed rehearsal of three successful romantic comedies from the 1980s and '90s.Carlson--who has written for the Hollywood Reporter and the Associated Press--dug deeply and interviewed widely to inform this guilty-pleasure romp through the histories of When Harry Met Sally (1989), Sleepless in Seattle (1993) and You've Got Mail (1998). For each film, the author discusses the writing, actors, crew, shooting, editing and post-production, release, and response. As the subtitle reveals, Nora Ephron, who died in 2012, is the focus, and although Carlson is generally admiring, she doesn't hesitate to zing her occasionally about her troubles with cast and crew--including a child she cut from Sleepless and a disagreement with a celebrated cinematographer. Still, the author's approach remains steadfastly pro-Ephron. Carlson weaves other stories throughout--e.g., the careers of actors Meg Ryan (who emerged as a star in these films), Tom Hanks, and Ephron's sister and co-writer, Delia. We also learn that the woman who spoke the title words in When Harry Met Sally was Ephron's mother, and we find out details about the man who actually said, "You've got mail" (and other things) on AOL. The author informs us about the personal lives of her principals, noting sadly, for example, how Ryan, America's sweetheart, became involved in an extramarital affair with Russell Crowe and became "Hester Prynne overnight." The text is suffused with dialogue--some from the films themselves--a technique that helps readers consume all the more quickly this long buffet line of snack food. On a more serious note, Carlson continually reminds readers of the difficulties women face in Hollywood as both directors and as performers whose aging often slows and then terminates their careers. A large bag of buttery popcorn that goes down oh so pleasantly.

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June 15, 2017

Ephron, who died in 2012, was an unlikely inventor of the iconic romantic comedies When Harry Met Sally, Sleepless in Seattle, and You've Got Mail. Though insecure about her looks, Nora grew up tough as nails, and her early unhappy romantic life (second husband Carl Bernstein broke her heart) was hardly fodder for the sweet and sentimental beloved rom-coms that would follow. Carlson paints a warts-and-all portrait of Ephron but focuses mostly on how these three films came to be. For example, Carlson reveals that actress Meg Ryan was not the first choice for Sleepless's Sally, that nice guy Tom Hanks and Ephron butted heads on the set, and who uttered that famous line "I'll have what she's having." She also weaves in portraits of Ryan, Hanks, director Rob Reiner, and others. Carlson's prose style is perky and approachable, but her use of words such as waspy, lefty, and voice-y as well as liberal parenthetical asides, sometimes distract. VERDICT Movie fans, film students, and those who miss funny romantic comedies will enjoy this detailed behind-the-scenes look at three of the best.--Rosellen Brewer, Sno-Isle Libs., Marysville, WA

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