Foreign Gods, Inc.

Keeping up with the American dream is proving to be too much for Ike, a Nigerian cab driver in New York City. His life after American college, in particular, his scramble to elide gambling debt, are narrated without embellishment by Dominic Hoffman. The story's intriguing events, along with Hoffman's vivid character portrayals, are fully engaging. Hoffman's understated delivery plays up the irony of life in New York for a man whose culture is being appropriated while he can barely make ends meet. The irony and capriciousness of modern life are shown when Ike returns to Nigeria to steal an idol to sell to wealthy New Yorkers. M.R. © AudioFile 2014, Portland, Maine

Starred review from October 21, 2013
In Nigerian-born Ndibe's (Arrows of Rain) new novel, Ikechukwu "Ike" Uzondu is a hapless N.Y.C. taxi driver stymied at every turnâhis rent is past due, his Amherst education means less to potential employers than his accent, his green-card marriage has more than its share of baggage, and his fares always mispronounce his name (that's "Ee-kay"). Desperate to keep his head above water in a country that only accepts him as a caricature, Ike decides to travel back to his village in Nigeria, steal his village's ancestral war idol, and sell it to an unscrupulous dealer in tribal antiques. Many novels would merely use this premise as an excuse for madcap postcolonial allegory, but the theft turns out to be the setup for the novel's centerpiece: Ike's return to the village of Utonki, where he finds his family torn between a maniacal Christian pastor and the traditional worshippers of Ngene, the god Ike has resolved to pillage. Neither fable nor melodrama, nor what's crudely niched as "world literature," the novel traces the story of a painstakingly-crafted protagonist and his community caught up in the inescapable allure of success defined in Western terms.