The Third Policeman

The book begins by detailing an odd relationship between two men. A flashback shows something is amiss, and the scene unfolds to a horrible crime. The story suddenly falls into a fantastical, almost stream-of-consciousness, tale of time-travel, with one of the men journeying with police officers in an investigation of a missing bicycle. This complicated novel's saving grace is an unexpected ending, and Jim Norton's narration. He employs varying tones and pitches, and one of the officers' voices is a wonderful Indian-British accent with a friendly, commanding authority. This story will irk some listeners; others will be intrigued. (At the end, listeners learn why the shift to the fantastical happens so fast.) There's little character development, but listeners won't mind as Norton does a good job as guide. M.B. (c) AudioFile 2009, Portland, Maine

Starred review from May 28, 2007
If ever a book was brought to life by a reading, it is this presentation of O’Brien’s posthumously published classic. Norton individually crafts voices and personalities for each character in such a way that a listener might imagine an entire cast of voice talent working overtime. This is a comic/surreal tale of a one-legged gentleman farmer who participates in a poorly planned botched robbery-turned-murder, only to find himself having a long conversation with the dead man shortly after the deed. In addition he hears from his own soul, who he names “Joe.” Joe’s voice is that of a wry observer with a voice of calm, removed authority, whereas dead man Mathers’ voice is completely nasal, at once sickly and droll. Mathers sends the farmer to a two-dimensional barracks of three metaphysical policemen. Here he finds himself in a world where people can become bicycles and eternity is within walking distance. Norton’s rendition of the main policeman, Sergeant Pluck, tips the reading into a full-out performance. The enormous blustery fellow with red cheeks and brushy mustache and eyebrows is portrayed like a jolly yet dangerous Disney walrus. Norton’s Irish brogue, accentuated to different degrees with the various characters, ties the ribbon on a perfect presentation of this absurd and chilling masterpiece.

This bizarre tale, considered a modern Irish classic, is experiencing renewed attention after having been mentioned in various episodes of the television series "Lost." An unnamed protagonist and his accomplice, John Divney, commit a robbery and murder. Afterwards, the story becomes surreal, with the main character encountering philosophy-spouting policemen and experiencing other weird occurrences. Jim Norton's Irish accent is appropriate to the setting. His tone maintains a deadpan, offhand manner, which becomes increasingly chilling after the murder is committed. While this interpretation is fitting for the surrealism of the narrative and may appeal to those with a taste for the eccentric, it's not a gripping listen. One is left with a sense of having missed the point--and not really caring. M.H.N. (c) AudioFile 2007, Portland, Maine