Freedom

September 27, 2010
When Patty and Walter Berglund's teenage son moves in with their conservative neighbors and their perfect life in St. Paul begins to unravel, out spill family secrets—clandestine loves, lies, compromises, failures. David Ledoux's masterly narration is powerful and well paced, comic and poignant. He expertly captures Walter and Patty—with her anxious whinny of a laugh—and their family life with its satisfactions and histrionics. Ledoux also deftly renders the gossiping of the Berglund's disingenuous neighbors; the frenetic rants of the drug-addled Eliza; and the weary, disaffected drawl of sleazy musician Richard. A Farrar, Straus, and Giroux hardcover (Reviews, July 5).

Starred review from July 5, 2010
Nine years after winning the National Book Award, Franzen's The Corrections consistently appears on "Best of the Decade" lists and continues to enjoy a popularity that borders on the epochal, so much so that the first question facing Franzen's feverishly awaited follow-up is whether it can find its own voice in its predecessor's shadow. In short: yes, it does, and in a big way. Readers will recognize the strains of suburban tragedy afflicting St. Paul, Minn.'s Walter and Patty Berglund, once-gleaming gentrifiers now marred in the eyes of the community by Patty's increasingly erratic war on the right-wing neighbors with whom her eerily independent and sexually precocious teenage son, Joey, is besot, and, later, "greener than Greenpeace" Walter's well-publicized dealings with the coal industry's efforts to demolish a West Virginia mountaintop. The surprise is that the Berglunds' fall is outlined almost entirely in the novel's first 30 pages, freeing Franzen to delve into Patty's affluent East Coast girlhood, her sexual assault at the hands of a well-connected senior, doomed career as a college basketball star, and the long-running love triangle between Patty, Walter, and Walter's best friend, the budding rock star Richard Katz. By 2004, these combustible elements give rise to a host of modern predicaments: Richard, after a brief peak, is now washed up, living in Jersey City, laboring as a deck builder for Tribeca yuppies, and still eyeing Patty. The ever-scheming Joey gets in over his head with psychotically dedicated high school sweetheart and as a sub-subcontractor in the re-building of postinvasion Iraq. Walter's many moral compromises, which have grown to include shady dealings with Bush-Cheney cronies (not to mention the carnal intentions of his assistant, Lalitha), are taxing him to the breaking point. Patty, meanwhile, has descended into a morass of depression and self-loathing, and is considering breast augmentation when not working on her therapist-recommended autobiography. Franzen pits his excavation of the cracks in the nuclear family's facade against a backdrop of all-American faults and fissures, but where the book stands apart is that, no longer content merely to record the breakdown, Franzen tries to account for his often stridently unlikable characters and find where they (and we) went wrong, arriving at—incredibly—genuine hope.

Masterful describes not only Jonathan Franzen's latest novel but also David Ledoux's reading of the book. From the beginning, FREEDOM is a gripping tragicomedy featuring Walter and Patty Berglund, whose lives unravel as they and their children confront their innermost selves. Ledoux's performance is every bit the equal of Franzen's brilliant dialogue and vivid characters. His voice inhabits the characters' psyches, sharing their loves, fears, and anxieties. Ledoux gives a vibrant performance, imbuing each character with a unique voice and tone. As a result, the listener is drawn deeper into the story, experiencing every moment with the Berglunds as they try to cope with the changes in the world and in their home. FREEDOM demonstrates the power of both the written and spoken word. D.J.S. Winner of AudioFile Earphones Award (c) AudioFile 2010, Portland, Maine