The Office of Desire

The Office of Desire
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 2 (1)

A Novel

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2007

نویسنده

Todd McLaren

شابک

9781400175123
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
This medical office melodrama features Dr. Will Strub, a Christian fundamentalist; his partner, Hap Markowitz, a nonobservant Jew; Alicia, a nurse; Caroline, the receptionist; and Brice, a shy accountant. Office politics are strained when the IRS comes after the doctors, who are involved in a suspicious patent medicine operation. Alternating between Hap's and Caroline's perspectives, played to the hilt by Renée Raudman and Todd McLaren, the messy interminglings take a risky turn when Will's wife leaves him and he marries Alicia. Other dramatic events follow, including a suicide. There's a little too much going wrong, and the audiobook could have used an abridgment. M.T.B. (c) AudioFile 2008, Portland, Maine

Publisher's Weekly

June 11, 2007
Moody (Best Friends
) stages this sharply observed tale of office relationships gone very wrong at a small Ohio medical practice. When Dr. Will Strub marries office nurse Alicia, he becomes increasingly involved in the local fundamentalist church. That puts him somewhat at odds with his fellow doctor and business partner, Dr. Hap Markowitz, who defines himself “as a non-observant, God-fearing Jew.” Meanwhile, middle aged office receptionist Caroline begins her own new relationship with a 72-year-old patient named Fred, while Hap devotes his spare time to his seriously ill wife, making office manager Brice literally the odd man out. The slow descent into insanity by one of the characters leads to a tragedy that affects all involved; gay relationships, evangelical fervor, amputation and infidelity all play in. “There is a point where loyalty became a sickness, where faithfulness to someone else became a way to destroy yourself,” Hap observes, and each of Moody's well-drawn characters embodies that statement in his or her own way. Hap and Caroline alternate with first person narration, which lends Upstairs Downstairs
–like shifts in perspective, which can be distracting. Moody keeps things moving, though, and gets the details right, whether adding up emotional balances, Prozac samples or a patient's bill.




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