Mary Coin

Starred review from February 25, 2013
Three characters whose lives span 90 years form the core of Silver's gorgeous third novel (after The God of War). Social historian Walker Dodge, as he sorts through the last items of his nearly empty childhood home, discovers a familial link to a famous photograph. Here, a real-life photo taken by Dorothea Lange in 1936 becomes a fictional photo taken by Vera Dare of Mary Coin. Silver fills in the untold story behind Lange's photo by revealing Vera and Mary's lives in vivid detail. Neither woman can reconcile herself with the Depression-era photo, yet they are intimately linked: each has children, husbands who leave them, and battles with cancer. This narrative of mid-century hope, loss, and disenchantment is both universal and deeply personal. Mary's problem with the truth of history and the stories told through objects leads her to make the hardest decision of her life, one confronted by Walker 75 years later. Silver has managed the difficult task of fleshing out history without glossing over its ugly truths. With writing that is sensual and rich, she shines a light on the parts of personal history not shared and stops time without destroying the moment. Agent: Henry Dunow; Dunow, Carlson & Lerner Literary Agency.

January 1, 2013
The fictionalized lives of photographer Dorothea Lange and the Native American farm worker behind her famous Depression-era portrait "Migrant Mother." While adhering closely to the facts of the real women's lives, Silver (The God of War, 2008, etc.) renames them--Lange becomes Vera Dare; her subject, Florence Owens Thompson, becomes Mary Coin--and frames their stories within a wholly fictional conceit: Social historian Walker Dodge is grappling with his role as a divorced father when he begins researching the history of his family, successful California fruit growers, after the death of his uncommunicative father. Walker, who coincidentally teaches college students how to look at photographs, opens and closes the novel in 2011, but the real focus is on the two women. Mary grows up on an Oklahoma farm, raised by her tough but loving Cherokee mother after her alcoholic white father's death. At 17, she marries Toby Coin, and they head to California where he works in sawmills and she has one baby after another. By 1929, a fire has burned down the mill and their home. After Toby dies, Mary picks fruit to support her children. After an affair with a farm owner's son, she has another baby that she is nursing near her broken-down car the day in 1936 when Vera Dare takes her picture. Vera, who still limps from the polio she suffered as a child, has spent the 1920s in San Francisco as a society photographer. Her financial security has collapsed by the early 1930s, along with her marriage to a flamboyant, womanizing painter. By the time she runs across Mary, Vera has farmed out her two sons to travel the countryside taking pictures to document rural poverty for FDR's Resettlement Administration. When she photographs Mary, Vera has no idea the image will take on a life of its own. Walker's tacked-on connection to the photograph seems a calculated attempt to add sexual intrigue to what is otherwise a disappointingly plodding account that sheds no new light on either the photographer or her subject.

COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

October 1, 2012

Silver, who's always written nuanced, eye-catching fiction (The God of War was a Los Angeles Times Book Prize finalist), offers a novel inspired by Dorothea Lange's most emblematic Depression-era photo. Her characters are Mary Coin, a struggling migrant mother; Vera Dare, an ambitious young photographer compelled to abandon her own children to work; and Walker Dodge, a contemporary professor of cultural history with a surprising personal connection to Vera's photo of Mary. With a six-city tour.

Copyright 2012 Library Journal, LLC Used with permission.

February 1, 2013
Inspired by Migrant Mother, the iconic Depression-era photograph snapped by Dorothea Lange in 1936, Silver reimagines the lives of both the photographer and the subject. Interweaving the stories of Mary Coin, a young mother grappling with the cruel realities of raising a family during an enduring economic crisis, and Vera Dare, the brilliant young photographer facing life-altering decisions of her own, this dual portrait investigates the depths of the human spirit, exposing the inner reserves of will and desire hidden in both women. Though their paths cross for a brief moment, their fatesstretching into succeeding generationsare permanently altered by the meeting. The luminously written, heart-wrenchingyet never maudlinplot moves back and forth through time, as history professor Walker Dodge unpeels the layers of the photograph's hidden truths.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)