The Red Queen

Nine-year-old Margaret Beaufort fervently believes she is destined for greatness. She reveres Joan of Arc, spends hours each day kneeling in prayer, and is proud of her rough, scabby "saint's" knees. Bianca Amato expertly guides listeners through Margaret's turbulent life--from reluctant bride (she was forced to marry four times) to the agony of childbirth to her seething jealousy of Elizabeth Woodville (THE WHITE QUEEN) and her limitless ambitions for her son, Henry. As the War of the Roses rages (bloody battle scenes are read, uncredited, by Graeme Malcolm), Margaret's fortunes rise and fall and rise again. Philippa Gregory is the queen of British historical fiction, and Amato's performance in this second book in The Cousins War series is regal and riveting. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2010, Portland, Maine

October 25, 2010
While Gregory's The White Queen told a story of the War of the Roses from the viewpoint of the House of York, her latest takes the perspective from the House of Lancaster, where Margaret Beaufort, a descendant of King Edward III, accepts her duty to marry whoever the current king chooses, bear a male child, a potential heir to the throne, and to mastermind his path to power. Bianca Amato reads with quiet earnestness and carries Margaret from the fantasies of childhood to becoming a mature woman of experience and arrogance. As in her reading of The White Queen, Amato refrains from dramatic extremes or flourishes in favor of a spare, serene, and engrossing narration. A Touchstone hardcover (Reviews, May 3).

May 3, 2010
Nobody does the Tudors better than Gregory (The Other Boleyn Girl), so it should come as no surprise that her latest—the War of the Roses as seen through the eyes of Henry VII’s mother —is confident, colorful, convincing, and full of conflict, betrayal, and political maneuvering. Gregory gives readers Margaret Beaufort in her own words, from innocent nine-year-old to conspiring courtier who stops at nothing to see her son on England’s throne. Gregory devotees will note the difference between the supernaturally gifted Yorkist White Queen and Lancastrian Margaret, who, despite saintly aspirations, grows worldly through three marriages; a powerless widow at 13, remarried and separated from her only son by 15, it is not until she’s 29 that Margaret is ready to realize her most audacious ambitions. Gregory clones have made historical novels from a woman’s perspective far too familiar to make this seem as fresh as her earlier works. Yet, like Margaret Beaufort, Gregory puts her many imitators to shame by dint of unequalled energy, focus, and unwavering execution.