Lost Memory of Skin

Banks's new novel forces listeners to look at those who are the lepers of contemporary society--sexual offenders. The story, powerfully performed by Scott Shepherd, doesn't excuse the crime but asks if perpetrators could be handled differently. "The Kid" is an uneducated 22-year-old social reject who is arrested in a police sting in which he attempts to have sex with a 14-year-old girl. He gets three months in jail and 10 years on parole. Constantly monitored by a GPS device, he lives under a highway with other sex offenders, always more than 2,500 feet from schools or playgrounds. Shepherd shines portraying the Professor, a mysterious, morbidly obese man who wants to help. His Southern accent, turned up a notch when necessary, sounds like a voice to be trusted. The novel offers no easy answers but raises the questions about how to deal with a growing social problem. M.S. (c) AudioFile 2012, Portland, Maine

July 11, 2011
For his latest novel, the acclaimed author of Cloudsplitter and The Sweet Hereafter again takes inspiration from a sanctuary of sorts. "The Kid," a young sex offender, lives with other registered offenders (including a disgraced state senator) in a makeshift camp beneath a Florida causeway based on a real colony that was shut down in 2010. After a police raid, the Kid meets "the Professor," a pompous, rotund man claiming to be researching homelessness. He wants to studyâand cureâthe Kid in order to prove his theories about society. But just as the study commences, the Professor, claiming that his life is in danger because of past work as a government spy, turns the tables, paying the Kid to interview him instead. Bloated and remarkably repetitive, this is more a collection of ideas and emblems than a novel. Though the Kid remains mostly opaque, he's a sympathetic character, but the nature of his crime, once revealed, lets Banks off the hook and simplifies rather than complicates matters. Banks continually refers to the Professor's weight and mental superiority, the latter a contrivance allowing for long rhetorical passages into the nature of man, sexual obsession, pornography, truth, and commerce that come as no surprise. Most frustrating is Banks's almost pathological restating of his characters' traits and motives, resulting in a highly frustrating novel in desperate need of an editor.

Starred review from June 15, 2011

From his makeshift tent in the shantytown under the causeway, the Kid can see the sun rise over the city of Calusa and feel the Atlantic breeze riffling the royal palm fronds. But the dichotomy between paradise and the squalor of the encampment is not lost on him. The only area within the city limits that is more than 2500 feet from a school, park, or library, the causeway bridge shelters homeless sex offenders on probation with nowhere else to go. Living in anonymity, the damaged group runs the gamut from a politician with a penchant for little girls to this lonely, asocial boy, whose only sexual relationship took place in an Internet chat room. When the Professor arrives to interview the Kid for a sociological study, the Kid wants to trust the man, and we hope he'll be saved through human interaction. But the Professor has his own demons. VERDICT Multiaward winner Banks (Affliction) has written a disturbing contemporary novel that feels biblical in its examination of good and evil, penance and salvation, while issuing a cri de coeur for penal reform. The graphic language may be off-putting for some but necessarily advances the theme of illusion vs. reality in the digital world. [See Prepub Alert, 4/18/11.]--Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL

Copyright 2011 Library Journal, LLC Used with permission.

May 15, 2011

Out on probation after having been convicted for having sex with an underage girl, the Kid ends up camping under a causeway with other sex offenders. There he meets the Professor, a sociologist doing research. Since the author of The Sweet Hereafternever writes easy-answer novels, you can bet that the relationship between these two will be morally tough and ambiguous. Lots of in-house enthusiasm, as evidenced by the 50,000-copy first printing and ten-city tour.

Copyright 2011 Library Journal, LLC Used with permission.

July 1, 2011

Banks (The Reserve, 2008, etc.) once again explores the plight of the dispossessed, taking a big risk this time by making his protagonist a convicted sex offender.

He hedges his bets slightly: The Kid is a 22-year-old who got jailed for showing up at a 14-year-old girl's house with condoms, K-Y jelly, porn and beer after some sexy Internet chat. But Banks makes it clear that there are plenty of actual child molesters and "baby bangers" camped out with the Kid under a Florida causeway--because they're prohibited from living 2,500 feet from any place children under 18 congregate, which is pretty much everywhere. It's less clear whether the author agrees with the Professor, a sociologist specializing in the causes of homelessness, that pedophilia is a response to feelings of powerlessness and a disease of the modern media world that sexualizes children in advertising. Ambiguity rules in Banks' knotty narrative of the Kid's odyssey after police break up the encampment under the causeway (it's an election year) and he loses his job as a busboy. Was the Professor really a government informer back in the 1960s? Are his former bosses trying to kill him, as he claims? Maybe, but it's hard to tell. And Banks doesn't make it easy to like the Kid, addicted to porn since he started watching it on the Internet at age 10 to blot out the sounds of his mother having sex with her various boyfriends, so isolated by his own wounds that other people don't seem very real to him. Though there's plenty of plot, including a hurricane and a dead body fished out of a canal, the slow growth of the Kid's self-knowledge and his empathy for others is the real story, offering the only ray of hope in an otherwise bleak consideration of a broken society and the damaged people it breeds.

Intelligent, passionate and powerful, but very stark indeed.

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)