The Plague of Doves

Louise Erdrich richly details the lives of intertwined generations, white and Native American, in the town of Pluto, North Dakota. Kathleen McInerney shines as Evelina Harp, who tells what she knows about the mystery that haunts the town's residents, the unsolved murder of a family in 1911. Peter Francis James's deep voice provides an excellent counterpoint to McInerney's as he gives the perspective of Antone Bazil Coutts, another descendent whose life is deeply influenced by the events of the past. Erdrich is a master storyteller known for her compelling novels, and her lyrical, recursive narrative style is enriched by the narrators' ability to fully portray her characters. This ideal match of writer and readers creates a memorable and moving experience. R.F. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine

Starred review from January 14, 2008
Erdrich's 13th novel, a multigenerational tour de force of sin, redemption, murder and vengeance, finds its roots in the 1911 slaughter of a farming family near Pluto, N.Dak. The family's infant daughter is spared, and a posse forms, incorrectly blames three Indians and lynches them. One, Mooshum Milk, miraculously survives. Over the next century, descendants of both the hanged men and the lynch mob develop relationships that become deeply entangled, and their disparate stories are held together via principal narrator Evelina, Mooshum Milk's granddaughter, who comes of age on an Indian reservation near Pluto in the 1960s and '70s and forms two fateful adolescent crushes: one on bad-boy schoolmate Corwin Peace and one on a nun. Though Evelina doesn't know it, both are descendants of lynch mob members. The plot splinters as Evelina enrolls in college and finds work at a mental asylum; Corwin spirals into a life of crime; and a long-lost violin (its backstory is another beautiful piece of the mosaic) takes on massive significance. Erdrich plays individual narratives off one another, dropping apparently insignificant clues that build to head-slapping revelations as fates intertwine and the person responsible for the 1911 killing is identified.

Starred review from June 30, 2008
The dazzling performance of Kathleen McInerney and Peter Francis James creates the sense of a full-cast audio with voices ranging from childhood to the aged with everything in between. With the rhythms of a charming entertainer, Mooshum, a family patriarch, spins tall tales from the days of magical happenings and sad realities. Billy, half-visionary and half-lunatic, is performed as both spellbinding and dangerous. As Antoine Brazil Coutts, James sounds judicious, fair and hesitant at revealing too much. McInerney covers a range of women: Marm, Billy's wife, has an emotionless voice, like one who has to preserve every drop of energy for pending disasters; and Evalina's light lilt with a faint Native American intonation is perfect. Despite the epic cast, the narrators never leave the listener confused. Passages of fiddle music are a lovely addition. This audio is a model recording of one of America's best novelists. A Harper hardcover (Reviews, Jan. 14).