The Prince and the Pauper

This rendition of this classic work is not an outstanding audio performance. Kandinsky fails to capture the correct tone for Twain. In telling the tale of the poor boy and prince who mistakenly swap identities, the author is also chuckling with the reader over the foibles of the rich and the poor. To be at its entertaining best, this work needs to be a performance piece with broad accents and wickedly whispered asides from Twain. Kandinsky's voice is sometimes grating. T.R. (c)AudioFile, Portland, Maine

August 6, 2001
With his legendary humor and delightful wit, Reiner gives new life to this classic Twain tale. The multiple Emmy Award winner and recent Television Hall of Fame inductee beautifully shifts between several accents, dialects and moods, letting listeners commiserate with the author's young protagonist, Tom Canty. Raised in a raucous family of beggars and thieves, Tom dreams and reads of princely life to escape his miserable 16th-century London existence. After wandering to Westminster and meeting benevolent Prince Edward Tudor (who bears an uncanny resemblance to the ragamuffin Tom), the pair exchange clothes and unwittingly identities. Reiner's vocal performance of this heartwarming story is sure to keep the entire family entranced. Listeners will be pleased that this volume is only one of several in a Mark Twain series read by Reiner.

October 4, 1999
Made less satirical than Mark Twain's classic and simplified for younger readers, this retelling is still a lively romp. A beggar and a prince look so alike that they change places but then cannot immediately switch back. Mayer's (The Unicorn and the Lake) adaptation is serviceable if not sparkling; she retains all the key scenes of the story but flattens Twain's archaisms. While some of the original's sophisticated humor gets lost in the translation, much of it remains. For example, when Edward, the prince, tries telling pauper Tom's parents that he is really the Prince of Wales, Tom's mother responds, "Oh, poor Tom, it's all those books you read that's done this to you." And in court, when Tom is given a finger bowl, he drinks from it, announcing, "This is a very flavorless soup." Lippincott (Bruce Coville's Magic Shop series) vibrantly renders the ragged features of the paupers, and his tableaux are full of life. His palace scenes are ornate, light-filled watercolors of splendor in which the boys' homely, toothy faces seem like the only real and honest things. For readers not yet ready for Twain, this version, like its model, will make them think about their places in the world. Ages 7-up.

[Editor's Note: The following is a combined review with ANNE OF GREEN GABLES.]--Imagination is key to both these classics. Young Anne ("Anne with an e"), adopted into a Prince Edward Island household, uses her imagination and determined spirit to fill her world with hopes and aspirations. And the "dreamings and readings" of the pauper Tom Canty set off the cascade of mistaken identities that comprise Twain's famous tale. The St. Charles Players offer amusing adaptations of these stories with accessible, appealing performances. Here is family listening to entertain different ages and interests. The casts are a bit uneven, but each has some outstanding roles. These are not sophisticated productions, but the spirit of these classics is undaunted--like Anne of Green Gables herself. R.F.W. (c) AudioFile 2002, Portland, Maine