The Last Cowboys of San Geronimo

May 29, 2017
After murdering his brother, Silas Van Loy gets on his horse and heads north, followed closely by Lena Van Loy, his brother’s wife. Lena (and the faithful stable assistant who accompanies her) seeks justice, and as they chase Silas through the mountainous landscape of present day Northern California, Stansel’s rhapsodic debut novel reveals the history of the Van Loy family—the rise and fall of their renowned horse training business, the rivalry that simultaneously binds the brothers together and pushes them apart, and Lena’s powerlessness to control or end the relentless feud. The book draws upon many of the western genre’s finest traditions: a bitter and inescapable rivalry, a narrative propelled by the pursuit of justice, a reverence for the powerful relationship between horse and rider. But in many other ways, the story stands apart: Silas and Lena’s travels through the rugged Californian terrain are punctuated not by shoot-outs or high-speed chases, but powerful memories and meditations on partnership, rivalry, regret, and redemption. Stansel’s debut is a moving exploration of the complicated and fateful bonds of brotherhood. Agent: Richard Abate, 3 Arts Entertainment.

May 1, 2017
A contemporary tale of two brothers, both horse trainers and rivals, and the tragedy that ensues when one kills the other.Silas and Frank Van Loy have a complicated relationship. They're both a bit wild, a bit co-dependent, and more than a bit antagonistic toward each other. The novel opens immediately after Silas, the younger brother, has shot and killed Frank. He flees on horseback, for him a natural mode of transportation, over the landscape of Marin County in northern California. At least two issues complicate the psychology, the ethics, and the logistics of this fraternal relationship and murder. First, Frank was married to Lena, who hates Silas. When she finds out what happened, she takes off in pursuit, also on horseback, with the intent to kill him. Second, when we finally see Frank and Silas' final confrontation, toward the end of the book, the shooting turns out to have been less vengeful than it seemed. The narrative moves briskly on a number of levels. While we follow Lena's pursuit of Silas, we also get generous flashbacks into the brothers' lives, especially their rivalry in the world of horse training (Silas' career was thriving while Frank's was declining) and the almost unaccountable depth of their hatred (earlier Frank had shot Silas, and on the surface, their argument had been about a Stetson hat). Stansel writes well and moves effortlessly from past to present and from the perspectives of Silas and Frank to that of Lena. A stirring narrative of hostility, pursuit, and the desire for vengeance.

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March 1, 2017
One brother kills another, and the victim's wife sallies forth on horseback to catch him. Plus gorgeously rendered horses, as the brothers were famed trainers in Northern California. But it's not your typical Western; Stansel is a PEN/Bingham finalist writing with a beautiful edge. With a 30,000-copy first printing.

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