The Whole Way Home

Narrator Johanna Parker takes the lead in this sprawling love story set amid the country music industry. Jo Lover and J.D. Gunn began making music together when they were 10-year-olds growing up in Appalachia. The audiobook unfolds through scenes of old and new romances, as well as professional dreams realized and forgotten. Using a light Southern accent, Parker moves easily between characters, of which there are many. For the male characters, she reverts to a convincing lower, huskier tone. Former country music star Don Hagen voices a handful of memorable chapters, including those that bookend the story. His rumbling baritone and easy delivery ground the story in the nitty-gritty of Nashville. A.S. � AudioFile 2017, Portland, Maine

May 1, 2017

Country singer/songwriter Jo Lover's star is about to go supernova. She's paid her dues, and thanks to hard work and staying true to her classic country roots, she'll reap what she's sown. But then her record label signs her first love and turns her life upside down. JD Gunn made it big in L.A.; some say by selling out true country music for So-Cal fame and fortune. Now he's back, brand-new contract in hand, hoping Nashville and making music with the woman he never stopped loving will make him feel complete. Like a soulful country ballad, Creech's (Season of Dragonflies) sophomore offering is replete with regrets and second chances expertly fueled by a vividly descriptive and candid narrative gifting readers a timeless tale and well-thought-out characters. The realistic peek into the cutthroat country recording industry excels. VERDICT Fans of Karen White and Kristin Hannah will devour this new novel from a delightfully fresh voice in women's fiction.--Debbie Haupt, St. Charles City-Cty. Lib. Dist., St Peters, MO

Copyright 2017 Library Journal, LLC Used with permission.

April 15, 2017
The dreams of up-and-coming country musicians clash with the reality of the industry in the latest novel by Creech (Season of the Dragonflies, 2014).Jo Lover is poised to become the next big star of country music, with a stage persona and sound in the same vein as Dolly Parton and Loretta Lynn. Having grown up poor in rural Virginia, Jo has built an identity as a strong, independent woman in trademark red boots. But when her independent label signs a Top 40 band fronted by her first boyfriend and former musical partner, J.D. Gunn, she finds her entire world turned upside down--and threatened by a secret she'd managed to keep out of the press until J.D.'s spotlight shone on her as well. On the cusp of the fame she's longed for since she was a little girl, Jo is forced to grapple with her dark past under the close attention of the media. The novel teases out some of the most compelling contradictions in country music, including the role of careful image curation in an industry built on the perception of authenticity and the retrograde place of women in the male-dominated field. The author places the darker, more corporate forces in music today alongside the lives of Nashville hopefuls, making their worlds intersect in interesting (albeit sometimes cliched) ways. Creech's portrait of Nashville is complex rather than romantic, and she shows that music is as much about business as passion. Although the rags-to-riches premise feels overdone, the novel's realism and its portrayal of the conflicts in country music make it engaging from start to finish.

COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

May 15, 2017
Jo Lover and JD Gunn grew up playing music in the Blue Ridge Mountains, and now they've both made it big in NashvilleJD playing arenas with his pickup-trucks-and-beer songs, and Jo with a more classic sound and a pair of red cowboy boots. Jo thought she was done with JD when he left her and their bandmates for L.A., but despite her impending marriage to a kind and brilliant producer, when JD turns up with a recording contract that includes a duet with her, the past just won't stay the past. Anyone who's ever bemoaned the state of today's radio country will appreciate the interjections of DJ Floyd Masters, who taught Willie and Merle how to be outlaws and thinks Jo is the second coming of Patsy Cline. Creech makes the Nashville music scene come alive, from the dive bars to the Ryman, and is just as good at evoking rural Virginia's, as Dolly Parton sang, good old days when times were bad. A little grittier than readers of southern women's fiction might expect, but a great summer read. Normal 0 false false false EN-US X-NONE X-NONE