To the Power of Three

To the Power of Three
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2005

نویسنده

Linda Edmond

ناشر

HarperCollins

شابک

9780060893019
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Three high school friends meet in the school's bathroom. One of them has a gun. In moments, one girl is killed instantly, one is fatally wounded, and the third is shot in the foot. What caused this tragedy? Who did the shooting? Laura Lippman enters the girls' minds, revealing their families, their social standings, and their humanity through deftly handled flashbacks. Linda Emond's performance is nicely understated, never overdoing the story's shocking theme. She offers genuine understanding of each character, even in the face of such disturbing content. One minor complaint: Music announcing the close of each CD is louder than necessary after Emond's soft tones. Even so, the story makes compelling listening. S.J.H. (c) AudioFile 2006, Portland, Maine

Publisher's Weekly

May 16, 2005
The trouble with writing the Tess Monaghan mysteries is that fans want more, more, more. Lippman scored big with her 2003 stand-alone, Every Secret Thing
, but this one doesn't pack the same punch. Here's Baltimore—outlying Glendale, anyway. Here are two terrific cops: Sgt. Harold Lenhardt, the family man, and his partner, Kevin Infante, who dates babes. But where's a woman to inspire and worry us, as Tess does? Lippman's latest teems with female characters, but none whose POV elicits strong emotion. Since third grade, three girls have been best friends: rich, pretty Kat Hartigan, athletic Josie Patel and dramatic Perri Kahn. Now high school seniors, they've come to a gruesome end in the girls' bathroom. Kat is dead. Perri, the presumptive shooter, is missing half her face. Josie has a bullet in her left foot. She alone can talk, and it's clear to Lenhardt that she's lying. Lippman zigzags her way to the moment of truth. Some of the scenes are wonderfully well told, and Lippman, as always, neatly skewers people in power (the school principal tells a 911 dispatcher, "I wouldn't characterize it so much as a school shooting... but as a shooting at the school"). But this novel doesn't so much rise above genre as make one miss it. Agent, Vicky Bijur
.




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