Tal como el Jazz

June 16, 2003
Miller (Prayer and the Art of Volkswagen Maintenance) is a young writer, speaker and campus ministry leader. An earnest evangelical who nearly lost his faith, he went on a spiritual journey, found some progressive politics and most importantly, discovered Jesus' relevance for everyday life. This book, in its own elliptical way, tells the tale of that journey. But the narrative is episodic rather than linear, Miller's style evocative rather than rational and his analysis personally revealing rather than profoundly insightful. As such, it offers a postmodern riff on the classic evangelical presentation of the Gospel, complete with a concluding call to commitment. Written as a series of short essays on vaguely theological topics (faith, grace, belief, confession, church), and disguised theological topics (magic, romance, shifts, money), it is at times plodding or simplistic (how to go to church and not get angry? "pray... and go to the church God shows you"), and sometimes falls into merely self-indulgent musing. But more often Miller is enjoyably clever, and his story is telling and beautiful, even poignant. (The story of the reverse confession booth is worth the price of the book.) The title is meant to be evocative, and the subtitle—"Non-Religious" thoughts about "Christian Spirituality"—indicates Miller's distrust of the institutional church and his desire to appeal to those experimenting with other flavors of spirituality.