Leaving Van Gogh

If there is any artist whose work has captured the imagination of the world over the past 100 years, it's Vincent van Gogh. In his own time, however, he was somewhat of a strain on the resources of his brother, Theo, an art dealer, and prone to periods of instability. In Carol Wallace's new novel, LEAVING VAN GOGH, narrated by Luis Moreno, we get a unique look at van Gogh's life through the eyes of Dr. Gachet, the mental illness expert and art enthusiast who was his companion in his time of madness. Unfortunately, Gachet himself is a clinical and detached main character who by his nature reduces interest in the story, and Moreno's unemotional narration fails to make either character more engaging. J.L.K. (c) AudioFile 2011, Portland, Maine

January 17, 2011
With several middle-grade books behind her, Wallace makes her adult fiction debut with an intense look at the last months of Vincent van Gogh through the eyes of Paul Gachet, a doctor specializing in mental illness. In the spring of 1890 Theo van Gogh, Vincent's younger brother, approaches Gachet with a request. Vincent was moving to Auvres, France, to paint and seek peace in the countryside. Theo wants Gachet, who once lived in the region, to supervise his brother. Gachet, a known patron of the arts and an amateur artist himself, agrees and is immediately drawn to van Gogh's luminous work. As the seasons pass he bears witness to the painter's mental anguish and struggles to determine what maladies so consume him. As he watches the artist's troubling downfall, Gachet must determine how best to care for van Gogh—and the family his death would leave in need. Tapping a deep well of research, Wallace paints a portrait of how madness can both make and break a man. But by making the clinical Gachet his narrator, the author pushes readers away, rather than giving them a chance to get to know the haunted figure behind the canvas.