The Quickening Maze

Graeme Malcolm delivers Adam Foulds's debut historical novel, shortlisted for the Booker Prize, in a melodious voice that respects the poetic rhythm of Foulds's language. The novel's challenges require Malcolm to employ all of his narrative skills: The complex story imagines the lives of three men whose lives converge at High Beach mental institution, outside London, in 1837. Dr. Matthew Allen, distracted head of the asylum; John Clare, mad poet; and Alfred Tennyson, who is in the area to be near his melancholic brother, are the characters in a series of episodes that never quite achieve narrative flow. N.E.M. (c) AudioFile 2010, Portland, Maine

May 17, 2010
Foulds's erudite, Booker-shortlisted debut follows three men—Dr. Matthew Allen, mad peasant poet John Clare, and prodigious pipe-smoking poet Alfred Tennyson—as their fates intertwine at the High Beach mental institution outside of 1837 London. Worried over the cost of the wedding for his eldest daughter, Matthew invents a machine to mass-produce filigreed wood furniture. Ignoring the asylum for his business pursuits, Matthew seeks investors, including the Tennyson family, of whom Alfred's brother, Septimus, is a patient at High Beach. John, meanwhile, spirals into a fantasy world fueled by his obsession with a dead childhood sweetheart, Mary. Things become complicated when John deludes himself into thinking a fellow patient is his dead love. All the while, Alfred, who is at the asylum to be near his brother, is fruitlessly pursued by Matthew's adolescent daughter, Hannah. While Alfred, unfortunately, is the least convincing character, John's madness is richly imagined, and Matthew comes off as powerfully sympathetic as he grows ever more desperate to raise funds for his business gamble. There's a manneredness to the storytelling that devotees of 19th-century British literature will appreciate.