Breathing Lessons

Maggie Moran and husband Ira drive from their home in Baltimore to the funeral of Maggie's oldest friend's husband. Through the course of the day, with many detours in route and memory, a portrait of a marriage emerges. Tyler's evocative prose and ability to make the lives of "ordinary" people rich and complex shine through this engrossing production. Kate Harper's tone is alternately wry and serious in this seemingly comic, but often serious and deeply moving, story. Her fully voiced reading maintains the pace, even during long flashbacks. A single day in the life of three generations of this family leaves the listener feeling as it its members are old friends. M.A.M. (c)AudioFile, Portland, Maine

August 5, 1988
In perhaps her most mainstream, accessible novel so far, Tyler spins a tale of marriage and middle-class lives, in an age when social standards and life expectations have gone askew. While she remains a brilliant observer of human nature, there is a subtle change here in Tyler's focus. Where before her protagonists were eccentric, sometimes slightly fantastical characters who came at the end to a sense of peace, if not happiness, Maggie Moran and her husband Ira are average, unexceptional, even somewhat drab; and outside of some small epiphanies, little is changed between them at the story's close. It's this very realism that makes the story so effective and moving. Taking place on one summer day, when Maggie and Ira drive from Baltimore to Pennsylvania to a funeral, with an accidental detour involving an old black man they pass on the road and a side trip to see their former daughter-in-law and their seven-year-old grandchild, the novel reveals the basic incompatibility of their 28-year marriage and the love that binds them together nonetheless. This is another typical Tyler union of opposites: Maggie is impetuous, scatterbrained, klutzy, accident prone and garrulous; Ira is self-contained, precise, dignified, aloof with, however, an irritating (or endearing ) habit of whistling tunes that betray his inner thoughts. Both feel that their children are strangers, that the generations are ``sliding downhill,'' and that somehow they have gone wrong in a society whose values they no longer recognize. With irresistibly funny passages you want to read out loud and poignant insights that illuminate the serious business of sharing lives in an unsettling world, this is Tyler's best novel yet. 175,000 first printing ; BOMC main selection; Franklin Library signed first edition.