Dead or Alive

Narrator George Guidall continues to prove his unlimited range with his performance of the twelfth Kevin Kerney adventure by former policeman turned bestselling novelist Michael McGarrity. Ex-cop Kerney snaps back into action following a short retirement when a friend is murdered by escaped convict Craig Larson. The psychopath revels in gore and violence on his rampage through Texas and Colorado, and Guidall produces a snarl in his voice as he depicts Larson's crimes. Kerney has recently learned he has a son, also a cop, and the two bond during the chase for Larson. Guidall allows tenderness and affection to creep into his voice as he portrays their growing relationship. Both fans of the series and newcomers will be hooked. R.O. (c) AudioFile 2009, Portland, Maine

November 15, 2008
Ex –Santa Fe Police Chief Kevin Kerney comes out of retirement to track a monster.

Craig Larson is a psychopath 's psychopath. Remorseless and relentless, he 'll kill anything that moves. Or not. And whether he does or doesn 't in any given situation is both unpredictable and inexplicable, since he himself has no clue. On his way to prison, Larson overpowers a guard, steals his weapon, stabs him in the eye —a deliberately selected target —and launches a one-man guerrilla attack on much of New Mexico. Early in this maniacal murder spree, he blows away young Riley Burke, a partner in Kevin Kerney 's ranching operation. At the time, Santa Fe 's former chief of police, famous in law-enforcement circles as a fearsome combination of bloodhound, bulldog and elephant, is living in London with his wife Sara, Army colonel and military attach to the American embassy. Learning of Riley 's death, Kerney returns at once to New Mexico, where he joins Lieutenant Clayton Istee and just about every other police officer in the state in a manhunt that has "dead or alive " written all over it. By this time, Larson 's homicidal rampage has developed a much sharper focus. He wants to kill cops. Cops want to kill him. It doesn 't get any more basic than that.

McGarrity (Death Song, 2008, etc.) plays to one of his core strengths —the police procedural —but the human drama, another of his usual strengths, is muted here. Fans will miss it.

(COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

December 15, 2008
McGarrity has a long list of solid mysteries in his Kevin Kerney series. Unfortunately, the 12th (after "Death Song") is not up to the same standard. Like all the Kerney books, it is set in New Mexico, peopled with a cast of likable characters, and features McGarrity's crisp and colorful writing. However, readers familiar with Cormac McCarthy's "No Country for Old Men" (2005) or the Coen brothers' 2007 movie version will recognize the plot of the madman roaming the countryside and ruthlessly killing anyone who gets in his way. McGarrity's latest is as well done as McCarthy's so that those who haven't read "No Country" may be satisfied with the story of ex-sheriff Kerney, his army wife, and their family. Yet even McGarrity's knack for using the intriguing New Mexico setting as an integral aspect of the plot cannot redeem this relentless bloodbath of a novel. Coming so soon after "No Country", it just seems derivative. Buy only where the series is popular.Ann Forister, Roseville, CA

Copyright 2008 Library Journal, LLC Used with permission.

November 15, 2008
McGarritys Kevin Kerney series, set mainly in New Mexico, mixes several elements: the early novels combined razor-sharp procedural detail with a gripping noirish edge, while the last few swapped the noir for a full-paletteportrayal of a cops domestic life. This time were back on the edge. Kerney, retired as Sante Fes chief of police, is living in London with wife Sarah, an Army colonel posted toBritain, and son Patrick when he learns that his New Mexico partner in a horse-raising business has been murdered at his ranch. Its back to Santa Fe for Kerney, where he accepts a temporary assignment with the state police and joins the hunt for the killer. McGarrity juggles point of view here, moving from Kerney and his Apache son, Clayton, also a cop, as they follow the trail, to the killer himself, a lethal but oddly introspective sociopath right out of a Stephen Hunter novel. Readers who favor McGarrity wearing black rather than an apron will be well pleased by this strong return to his earlier style.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)