We're Doomed. Now What?

April 16, 2018
Novelist and nonfiction author Scranton (Learning to Die in the Anthropocene) struggles to provide satisfying responses to his titular question in this jumbled collection. His premise is that an era of environmental and political catastrophe already exists, and the only meaningful next step is to “let our current civilization die” and find a “new order of meaning.” Specifics of what that new order looks like, beyond a repudiation of consumer capitalism, are left abstract. Scranton organizes his essays under thematic headings: “Climate & Change,” “War & Memory,” and “Violence & Communion.” The climate essays cover, among other topics, the melting of the Arctic ice cap and the possibility of a Texas mega-hurricane, and express pessimism about the possibility of mitigating global warming. The war section covers Scranton’s memories of patrolling Iraq as an Army private, attending antiwar rallies after his return to the U.S., returning to Baghdad as a civilian to witness the 2014 elections, and his concerns about the dangers of fetishizing American power. In the “Violence” essays, Scranton draws connections between victims of war, terror, and police shootings, decrying social hierarchies that value some lives over others. Sometimes astute, sometimes meandering, Scranton’s latest work is heavy on fatalism and light on focus.

May 15, 2018
Essays on war and the "eve of what may be the human world's greatest catastrophe."Novelist and journalist Scranton (English/Notre Dame Univ.; War Porn, 2016, etc.) collects essays and talks, most previously published, that primarily cover climate change, serving with the Army in the Middle East, race, and contemporary war literature. The author is clearly frustrated and angry, and he is doing his level best to face the doom and gloom. As he writes in the title essay, "we stand today on a precipice of annihilation that Nietzsche could not have even imagined." In fact, he admits, "it's probably already too late to stop apocalyptic planetary warming." At this moment of crisis, we must use our "human drive to make meaning...[it's] our "only salvation." In "Arctic Ghosts," Scranton recounts a 2015 cruise he took in Canada. He writes about John Franklin's 1845 failed expedition to find the Northwest Passage. Today, his cruise succeeded: "I was overtaken by the realization that what I'd come to see was already gone." Our planet had warmed "beyond anything civilization has ever seen." In "Rock Scissors Paper," which he describes as a "Borgesian bastard," the author riffs about our new geological epoch, the Anthropocene, "characterized by the advent of the human species as a geological force." No one, he writes, "intended this, and we seem to be incapable of preventing it." In "Anthropocene City," Scranton chronicles his tour of heavily polluted Galveston Bay, "so full of PCBs, pesticides, dioxin, and petrochemicals that fishing is widely restricted." When he writes about his personal involvement in war, it comes almost as a relief. In the book's longest essay, the powerful "Back to Baghdad," he returned as a journalist: "They stayed, I left. But while I may have left Iraq, Iraq hadn't left me."Despite the inevitable repetitions, Scranton's warnings must be heeded...again and again.

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