Having and Being Had

'My adult life can be divided into two distinct parts,' Eula Biss writes, 'the time before I owned a washing machine and the time after.' Having just purchased her first home, she now embarks on a roguish and risky self-audit of the value system she has bought into. The result is a radical interrogation of work, leisure and capitalism.

New York Times bestselling author Biss brings her approach to the lived experience of capitalism. Playfully ranging from IKEA to Beyoncé to Pokémon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested'?

Eula Biss is the author of three books, including the New York Times bestseller On Immunity: An Inoculation, which was named one of the 10 Best Books of 2014 by the New York Times Book Review, and Notes from No Man's Land: American Essays, which won the National Book Critics Circle Award for criticism. Her work has appeared in Harper's, the New York Times, Believer, and elsewhere, and has been supported by an NEA Literature Fellowship, a Howard Foundation Fellowship, and a Guggenheim Fellowship.

'A major achievement. Having and Being Had, rather than leading through narrative, turns individual words and phrases, like capitalism, consumers, great America, husbandry, art and work, into fields of inquiry in order to frame a life. With astute consideration, this expansive and intimate accumulation asks the questions that touch all our lives.' Claudia Rankine

'Eula Biss is known for stepping off the plank into turbulent waters that others might fear or avoid, armed with wry wit and a radical lucidity. Having and Being Had continues this journey, offering us a probing tour of capitalism and class that sidesteps posturing and jargon in favor of clarity, humility, and incitement.' Maggie Nelson

'Eula Biss's prescient new book gave me new language for things I didn't know I felt about money, capitalism, and my place inside of an economy that always requires so much of me and gives back so little. A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us in ways we didn't know we consented to—what could be more necessary now?' Alexander Chee