The Rat Prince

June 1, 2016
A new "Cinderella" retelling includes the perspective of a rat living in her home.Chapters alternate narration between Char, the titular Rat Prince, and Cinderella. Though Char initially believes Cinderella is an idiot, allowing abuse from her stepmother and stepsister, it's soon apparent to him and to readers that Cinderella is shrewd and biding her time. When Char discovers that Cinderella is to attend a royal ball where the human prince will choose a bride, he investigates at the palace, hoping to learn that the prince is worthy of her (he's not). Meanwhile, Cinderella unwittingly summons her family's goddess, who plays the fairy-godmother role, with Char arriving on scene just in time to be transformed into a human footman. Much occurs in the short span of hours of the ball, including Cinderella's falling in love with the transformed Char (almost instantly) and the goddess playing deus ex machina, fixing all problems (save one) in a fairy-tale-tidy ending. The cover illustration of Char, a black rat (Cinderella calls him "Blackie"), is lit in such a way that readers may mistakenly perceive light fur; Cinderella's lovingly described physical attributes--her blonde hair, pale skin, and oft-praised "tiny" waist--play into tired and damaging tropes. Still, Cinderella is fairly empowered for a damsel in distress. Though Philip Pullman did it earlier and funnier with I Was a Rat! (2000), this take still feels fresh enough, despite misgivings. (Fantasy. 10-14)

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May 1, 2016

Gr 4-7-Told in alternating chapters, this retelling brings together Cinderella and the prince of the local rats, Prince Char. Like most fairy-tale retellings, the story unquestioningly portrays heteronormative relationships and characters of white European heritage. However, the inclusion of a fully fleshed-out male lead and a romantic relationship that develops over time are valuable modernizations. Although the quickly moving plot is intriguing, with a new sense of suspense created through a love triangle, it stumbles with the arrival of the fairy godmother Ashiira. Cinderella's poorly considered wish to attend the ball becomes a thinly disguised plot contrivance to deliver Cinderella and Char to the palace for the climax. Cinderella spends a good deal of time observing the food preparation, in fear that someone will try to poison her father. Hodder's plot does incorporate more elements of adventure and mystery than is typical, with the rat-scale escapades and the tension regarding the poisoning. Loose ends such as why none of Cinderella's previous acquaintances come to her aid are neatly tied up with the father's dementia and the stepmother's schemes. The writing is a bit heavy-handed, with touches of purple prose.

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