Never Forgotten

Starred review from August 8, 2011
McKissack’s (The All-I’ll-Ever-Want Christmas Doll) story about a Malian boy abducted and sold into slavery has frightening moments, but carries dignity and even triumph away from them. Forceful and iconic, the Dillons’ (The Secret River) woodcut-style paintings use gentle colors and strong lines to telegraph scary sequences, but do not dwell on them. McKissack’s free verse incorporates a Greek chorus of the elements Earth, Fire, Water, and Wind, who watch over the infant Musafa and assist his father, Dinga, in his blacksmith’s work, but cannot save Musafa after he is brought to the New World. He surfaces in South Carolina, a gifted blacksmith like his father, and Wind, which has made itself into a hurricane to cross the ocean, is at last able to bring word to Dinga of his
beloved son: “Though a slave, he lives!” Readers learn Musafa’s owner may free him, but “In my mind,” Wind hears Musafa say, “I have always been free,/ As free as Wind.” The willingness to turn the dark history of the past into literature takes not just talent but courage. McKissack has both. All ages.

June 1, 2013

Gr 4-7-In a tribute to those who were stolen from homes in Africa to become slaves in the New World, McKissack weaves a tale (Schwartz & Wade, 2011) about a loving father and the young son who is taken from him. Dinga, a seventh-generation Mende blacksmith, is a talented and respected man. After his wife dies in childbirth, Dinga defies tradition, raising his son Musafa with the help of the Mother Elements-Earth, Fire, Water, and Wind. Musafa grows strong and wise. He becomes Dinga's apprentice, creating pretty, but useless objects. One day, while gathering wood, Musafa is captured. Dinga searches in vain for his son, then appeals to the Elements for help. They take turns following Musafa, reporting to Dinga of his son's passage, his courage, and finally, of his new life as a blacksmith in South Carolina. Dinga rejoices that Musafa is alive and that his talent for creating lovely objects could earn his freedom. Lizan Mitchell performs the passages of McKissack's 2012 Coretta Scott King Honor book melodiously and with fervor. The author's note was not recorded. Leo and Diane Dillon's acrylic and watercolor illustrations resemble woodcuts, superimposing bold figures on fainter ones, creating impressions of lingering spirits, evil, and sadness. Combining history, folk tales, and legend into a moving remembrance of families torn apart, this haunting story with its rich illustrations is strengthened by this wonderful audio interpretation.-MaryAnn Karre, West Middle School, Binghamton, New York

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