A Place for Us
"West Side Story" and New York
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
October 15, 2016
Foulkes (history, New School; Modern Bodies) delivers a behind-the-scenes exploration of the research, thought, compromise, and controversy of the musical West Side Story, from its 1949 conception to concern about a 1980 revival with a non-Puerto Rican Maria. Director/choreographer Jerome Robbins, composer Leonard Bernstein, and writer Arthur Laurents started with a rough idea shared with friends, associates, and potential backers. They brought in collaborators such as composer Stephen Sondheim as they sought to address cultural clashes, juvenile delinquency, and a longing to belong, set in the streets of New York City. There was high praise and also criticism about casting choices. Reviewers mused whether the rival gangs, Sharks and Jets, had parallels in communism and the Cold War. The transition from stage to film did not always go smoothly. Foulkes makes extensive use of the archives of Robbins, Bernstein, Laurents, Sondheim, producers Roger Stevens and Harold Prince, and others to support her conclusions. VERDICT For those with deep curiosity about West Side Story and urban social conflicts of the 1950s and 1960s. Libraries with significant theater collections, or those in the New York City area may also want to consider.--Maggie Knapp, Trinity Valley Sch., Fort Worth, TX
Copyright 2016 Library Journal, LLC Used with permission.
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