Redemption Falls

After the Civil War, Eliza Mooney treks across America to find her brother. General James O'Keeffe watches his efforts at peacekeeping deteriorate as vigilantism comes to Redemption Falls. Outlaws, runaway slaves, the ravaged land, and bleak prospects offer a kaleidoscope of characters and confusion. Rich, descriptive, and fluid, O'Connor's novel is an amorphous story, reminiscent of Joycean stream of consciousness combined with the sensuous poetry and lavish language of Dylan Thomas. Interwoven story lines; multiple voices; document transcripts; excerpts from newspapers, notebooks, letters; and no conventionally linear plot make Peter Marinker's performance all the more remarkable. Marinker's voice draws instant character sketches, maintains the music of moments, and builds every sentence into its own particular eloquence. Marinker blends dialects, lyricism, and brutality into an unforgettable listening experience. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine

July 30, 2007
Irish author O'Connor (Star of the Sea
) delivers a highly stylized post–Civil War period pastiche centered on Redemption Falls, a tumultuous frontier town in the Mountain Territory (presumably in present day Utah or Montana). Told through the posters, correspondence, poems/songs, newspaper articles and interview transcripts collected in the early 20th century by a university professor (and nephew of one of the book's prominent characters), the narrative follows acting governor James Con O'Keeffe as he feuds with his ravishing wife, Lucia-Cruz McLelland, about the mute 12-year-old drummer boy Con takes in and wants to adopt. The boy, Jeddo Mooney, is in a bad way and unaware that his tenacious older sister, Eliza Duane Mooney, is hiking from war-ravaged Louisiana to find him. (Her journey is its own mini-epic.) Con's past as an English criminal who barely escaped the noose and his behavior as an American politician demonstrate his noble but flawed character, while a chorus of minor voices add texture to a narrative already rich with a medley of languages, dialects and clashing cultural mores. The novel is complex, ambitious and at times difficult (many characters are uneducated, and their journals and letters prove to be occasionally impenetrable). O'Connor succeeds as a ventriloquist who brings to life a wide cross-section of Americana.