The Signature of All Things

Starred review from July 1, 2013
After 13 years as a memoirist, Elizabeth Gilbert (Eat, Pray, Love) has returned to fiction, and clearly she’s reveling in all its pleasures and possibilities. The Signature of All Things is a big, old-fashioned story that spans continents and a century. It has an omniscient narrator who can deploy (never heavy-handedly) a significant amount of research into the interconnected fields of late 18th- and early 19th-century botany, botanical drawing, spiritual inquiry, exploration, and, eventually, the development of the theory of evolution. The story begins with Henry Whittaker, at first poor on the fringes of England’s Kew Gardens, but in the end the richest man in Philadelphia. In more detail, the story follows Henry’s daughter, Alma. Born in 1800, Alma learns Latin and Greek, understands the natural world, and reads everything in sight. Despite her wealth and education, Alma is a woman, and a plain one at that, two facts that circumscribe her opportunities. Resigned to spinsterhood, ashamed and tormented by her erotic desires, Alma finds a late-in-life soul mate in Ambrose Pike, a talented botanical illustrator and spiritualist. Characters crisscross the world to make money, to learn, and, in Alma’s case, to understand not just science but herself and her complicated relationship with Ambrose. Eventually Alma, who studies moss, enters into the most important scientific discussions of the time. Alma is a prodigy, but Gilbert doesn’t cheat: her life is unlikely but not impossible, and for readers traveling with Henry from England to the Andes to Philadelphia, and then with Alma from Philadelphia to Tahiti to Holland, there is much pleasure in this unhurried, sympathetic, intelligent novel by an author confident in her material and her form. Agent: Sarah Chalfant, the Wylie Agency.

Gilbert's triumphant return to fiction is matched by Juliet Stevenson's lyrical reading. Both author and narrator capture the listener from the novel's opening words. The captivating story of nineteenth-century naturalist Alma Whitaker is long, and perhaps this led to Stevenson's inconsistency in vocal characterizations. Regardless, listeners, especially gardeners, will delight in Alma's discoveries about the natural world and herself. Father Henry's felonious wealth grants the homely but brilliant protagonist years filled with scientific study and writing. Stevenson traverses the globe and a hefty cast of characters, shining in her depictions of Alma's Dutch mother and adopted sister. Her melodic voice carries the story along so well that one forgives the discrepancies in characterizations. J.J.B. (c) AudioFile 2013, Portland, Maine