Life

September 30, 1987
Though Perec (1936-1982) is "experimental'' in the tradition of Joyce and Nabokovhis work is rich with word games and acrostics that reveal the secret life of languagethis euphoric novel, winner of the Prix Medicis, will enchant a range of readers. The serial storytelling within the framework narrative is as beguiling and inexhaustible as Scheherazade's. The facade is removed from a Parisian apartment house on the Rue Simon-Crubellier, permitting us to spy on its tenants in the grid of rooms and to examine their pictures and bibelots. Books, letters, clippings and announcements add to the textual welter, all interlocking like pieces of a puzzle, the novel's chief metaphor. Tales told in stylishly reinvented genresromance, detection, adventureconstitute what is experienced, read about or dreamed up by an array of restaurateurs, mediums, cyclists, antique dealers and pious widows. A quester for the Nile tries to rescue a beautiful German girl from a harem. A judge's wife, whose sexually thrilling thefts result in a sentence of hard labor, ends as a bag lady on a park bench. Meanwhile a team of eccentric artists, Bartlebooth, Winckler and Valene, enact the creative process, painting watercolor seascapes, cutting them apart with a jigsaw and reassembling them as smoothly as ``an oily sea closing over a drowning man.'' The image of a splendidly wrought table, its interior fretted by patient worms, succinctly and differently restates the process. This is a classic of contemporary fiction.